《大车帮》是一部讲述乡土中国故事和中国人经验的小说,复现了一段西北地区的独特历史。吴老大的个人故事是这部乡土史诗的第一层历史,他个人事业上的奋斗,正是西北马车帮群体求生存求发展的投射。而以吴老大为代表的西部马车帮的奋斗史与创业史,正是中华民族近现代发展史的一个缩影,构成了这部小说的第二层历史。关于西北地区的浮世绘则是这部小说的第三层历史。《大车帮》通过对于西北马车帮群体的建构,还原了乡土文化规范下的西北世界。

TheGrand Carriage is a novel on a local Chinese story and Chinese experience,represen-ting a unique history of the northwestern region in China.The personal story of Big Brother Wu is the first-level history of this local epic,while the struggle of his personal career is an embodiment of the sur-vival and development of the carriage community in the northwestern region.The history of struggle and undertaking of the carriage group represented by Big Brother Wu in the northwest is j ust an epitome of the history of development of contemporary and modern China,which constitutes the second-level history of the novel.The third-level history of the novel is the ukiyoe about the northwestern region.The Grand Carriage has reproduced the northwestern realm in line with the norms of local culture by portraying the carriage community in the northwestern region.

从文化心理角度看,《边城》中翠翠母女二人的爱情悲剧在很大程度上是一种性格上的悲剧,而人物性格中的弱处实际上也是作家自身性格弱处的一种不自觉的折射。在爱情悲剧的故事里,浸透了作家自身的生命体验与乡土文化体验,作家在爱情悲剧的故事里表现出了对于湘西文化的思考与忧虑。

In terms of cultural psychology, the love tragedies of Cuicui and her mother in Remote City are largely their personality tragedies.The personality weaknesses of the characters are actually the unconscious refraction of the author ''s.This love tragedy infiltrates the author''s own experiences of life and local culture , and exhibits the author''s thinking and worry about XiangXi cul-ture.

辽宁籍著名女作家孙惠芬的小说创作,在乡土守望之中展现了广阔的审美文化视域。她的小说文本再现了儒家文化所蕴藏的家族主义、伦理本位和血脉亲情等诸多文化符码。在人物塑造和故事建构中再现生活在黑土地上的小人物的侠骨柔情,呈现"海纳百川,有容乃大"的波澜壮阔的海洋文化特色,把女人对男人的依附指数大幅降低,极力突出其"独立"追求和"忍韧"性格,她笔下的典型人物性格立体可感。她的小说蕴藉着丰富的儒家文化、侠义文化、海洋文化、女性文化的意蕴。

Sun Huifen is a famous writer from Liaoning ,whose novels present a wide viewpoint about aes-thetic culture of local watching .The stories written by her reappear so many cultural codes about Confu-cianism culture such as familism ,ethics standard ,blood ties ,and so on .In the aspect of shaping charac-ters and constructing plots ,Sun Huifen makes readers have deep consciousness that the common people living in the black land of northeast area ,have their own chivalry and tenderness .Besides ,her works take on characteristics of marine culture ,w hich is unfolding on a magnificent scale ,just like the saying “All rivers run into the sea .” In addition ,Sun Huifen focus on describing the personality of female characters , especially their independence ,pursuit ,tenacity ,and the typical characters are stereo and sensible .Sun Huifen’s novels contain rich cultural implication ,they are Confucianism culture ,chivalrous culture ,ma-rine culture ,and female culture .

刘醒龙以方言为母语的母语意识非常强烈，并将这种意识通过自觉不自觉的方言书写物化在他的创作中。其长篇小说《圣天门口》在方言运用上就很有特色。小说中的方言书写不时点缀出独特地域的鲜明标记与乡土色彩，用方言描绘的颇具特色的地域自然环境、劳动生活场景与民俗文化画卷，让读者真切感受特定地域人们的独特认知方式，及其蕴含的文化意蕴。同时将方言本身作为地域认同标记和乡情密码进行描写，以助小说的叙事进展。作家在小说中用方言表现故事演进的地域环境，描绘原生原态的风俗画图，塑造栩栩如生的人物群像，充当提高效果的表达材料，体现沁透骨髓的母语意识，使整部小说在语言风格上颇具鄂东和武汉的地域特色。而且为了提高表达效果，他运用随文直接加注和借助上下文描写的方法，帮助读者消解方言有可能造成的阅读障碍。

Liu Xinglong has a strong mother tongue awareness of that taking dialect as mother tongue,which,consciously or unconsciously,materialized in his creation by dialect writing.His novel Saint Tianmenkou is very unique with dialect using.Dialect writing,from time to time,brings a distinct geographical markers and local color.With distinctive regional dialect depiction,the natural environment, working life and folk culture scene picture,allow readers truly feel the unique cognitive way in specific geographic areas and its inherent cultural meaning.While as a regional identity tags and nostalgia pass-words,dialect writing is helpful to narration.In the novel,the writer used dialect writing,to show the ge-ographical environment of the story,to depict native custom scene picture,to shape lifelike characters images,as the material to improve the effect of the expression,reflecting his strong mother tongue aware-ness,and this makes the novel full of eastern Hubei and Wuhan geographical