《王昭君变文》是敦煌变文中的典型代表,反映了唐代艺人对昭君故事的加工与再创造,也是历代昭君故事演变完善的一个突出成就。通过对文本进行解读,分析其主要内容和主题,特别是对昭君故事的原型、流传和演变进行了比较深入的阐述,旨在探析《王昭君变文》的深刻内涵以及历史地位。《王昭君变文》之所以能够称为典型变文,不仅仅是因为它具备了变文的基本条件,更是因为它具有独特的时代背景和深厚的历史底蕴。它对昭君入胡后的故事进行了大胆而丰富的想象,寄托了沦陷区唐人的爱国情怀。

Wang Zhaojun Bianwen is a typical representative of the Dunhuang-Bianwen that features alternate prose and rhyming lines. It reflects the Tang Dynasty artists’ processing the Zhaojun Story,and is also an outstanding achievement of the evolution and inheritance of the Zhaojun Story. This paper reinterprets the text,and especially makes a deep analysis of the main content,the theme of the story,the prototype,spreading and evolution,so that the profound meaning and the historical significance of Wang Zhaojun Bianwen can be disclosed. Wang Zhaojun Bianwen can be ranked as a typical type of Bianwen,for it possesses the basic components of a Bianwen,and is rooted in a unique time and a rich historical heritage. The bold and rich imagination about Zhaojun after her marriage reflected the patriotism of the then Chinese in the enemy-occupied area.

王昭君的故事在中国可谓家喻户晓、妇孺皆知,在日本古典文学史中也广为演绎和流传。成书于平安时代末期的《唐物语》第二十五篇就是王昭君故事在日本演变的产物。昭君故事中最核心的要素当属"画工曲笔",这一要素在《唐物语》中也有所体现。但是,在画工曲笔的契机和缘由,帝王与昭君及后宫嫔妃间感情纠葛的细腻描摹,以及昭君悲剧产生的根源等三个方面与中国原著的焦点截然不同。王昭君故事在日本的演变反映了日本天皇与后宫关系与中国的迥异。它融入了浓郁的日本本土文化色彩,为我们体悟两国风土人情的差异、把握日本文化提供了一种借鉴和思考。

Widely known in China,Wang Zhaojun”s story is extensively interpreted and circulated in Japanese literature histo-ry.This is evidenced by the book Karamonogatari published in the late Heian period,the 25th chapter of which is a story a-dapted from the story of Wang Zhaojun.At the core of the story is “painters painting technique" which is also embodied in Karamonogatari.However,the focal point of the original story is strikingly different from that of the Japanese one in the rea-sons for painters painting technique,detailed description of emotional conflicts between emperor,Wang Zhaojun and his con-cubines,the root cause for Zhaojun”s tragedy.The evolution of her story in Japan shows that the relation between Japanese emperor and harem differs from that of China.The Japanese version of Wang Zhaojun story with rich Japanese cultural charac-teristics offers a perspective from which we can experience the differences in culture and custom between the two countries.

王安石诗歌中刻画了西施和王昭君等历史人物和月里嫦娥、巫山神女等仙女、神女形象,这些女性形象寄托了王安石变法受压抑以及深受佛教思想影响的生命情怀,体现出王安石反对红颜祸水论、注重女子幸福的进步女性观。

In Wang Anshi''s poetry,he described some female figures,including such historical figures as Xi Shi and Wang Zhaojun and such fairy figures as Chang''e,Wushan Goddess and so on.Wang rested his repressed feel-ing caused by the failure of his political reform on these female figures,and these figures also reflected Wang''s feelings of life which was deeply influenced by Buddhism.All these embodied his progressive view of female, namely objection to the saying of“dangerous beauty”and attention to women''s happiness.