本文将以李安导演作品为入口，采用文本分析和比较分析相结合的分析方法探析华语电影跨文化传播中对民族文化和民族精神的传播，客观分析其在跨文化传播过程中面临的困境，并通过文本比较分析、探索华语电影跨文化传播的对策。希望通过相关策略的提出可以帮助中国电影通过更具普遍意义的影响语言，摆脱华语电影跨文化传播的难题。

This paper will take the director Li An’s works as the entrance, using text analysis and comparative analysis to analyze the communication of national culture and national spirit in the cross-cultural communication of Chinese films, objectively analyzes the predicament in the course of cross-cultural communication, through the text to comparatively analyze and explore the countermeasures of the Chinese film intercultural communication. Hope that through the proposing strategies can help Chinese language film through the effect of more universal significance, to get rid of problems from Chinese films in cross-cultural communication.

《能召回前世的布米叔叔》是一部带有浓郁个人风格的影片。在影音造型上其带有导演阿彼察邦标识性的神秘写意的风格;在结构上,影片以不时断裂的叙事突破了西方叙事理论的樊篱,从而在电影民族化的道路上做出了有益的探索;在主题上,影片不仅对泰国的现实政治有所指涉,更探索了深植于佛教传统中的时间观念。

Uncle Boonmee who can recall his past lives is a strong personal style film.Its audio-visual design is filled with its director,Apichatpong＇s logo of the mysterious freehand style;Its structure breaks the western linear narrative theory,and makes useful explorations in the nationalization of movies;In the subject,the film not only refers to Thailand＇s political reality ,but also explores the concept of time deeply rooted in the Buddhist tradition.