在中国现代文学中,"疯癫"作为一个文学形象在这一阶段被频繁地引入。在所有的疯癫形象里,尤以农民、知识分子和女性三类最为突出。他们表现出不同的导致疯癫的原因和症状,然而细加考量,会发现现代文学中描写的疯癫是有着相似近乎相同的精神所指的。在疯癫的外表下,疯癫形象担负着反映社会现实、揭示封建黑暗势力的重任,是时代觉醒的先驱。这些疯癫既传承着传统文化,而又因为时代的不同,散发着它特有的艺术内涵和价值。

“Madness” as a literary image is a frequency in modern Chinese literature, and farmers, intellectuals and women are the most prominent three kinds in all the images of madness. They show different symptoms and causes of madness. However a careful examination reveals that madness is almost described under the same spirit. Under the guise of madness, the madness imageis are assigned the responsibility of the reflectiing social reality and disclosing the the dark forces of the feudal society, and thus is the awakening pioneer of the era. The madness image not only inherits the traditional culture, but also radiates its unique artistic connotation and value.

在鲁迅创作的祥林嫂人物形象的影响下,二十世纪20年代中国乡土小说中相继出现了一批与祥林嫂精神气质及命运相似的疯妇形象。在封建社会的"四权"压制下,她们或忍辱顺从,或竭力抗争,但最终都逃脱不了悲剧的命运,呈现出疯癫状态,成为时代的牺牲品。该文着力探究这些乡村妇女走上疯癫道路的原因以及祥林嫂给乡土作家们创作疯妇形象带来的影响。

Under the influence of Xianglinsao(Xianglin’s wife),a character from Lu Xun’s novel Blessing,there appeared in China’s local novels in 1920s a group of crazy women who have the similar spirit and fate to Xianglinsao. Under the suppression of the four pow-ers in feudal society,they may be obedient to shame or struggle to fight,but they cannot escape the tragic destiny showing a state of madness and become victims of the era. This paper focuses on exploring the reason of these rural women on the path to madness and the influence of Xianglinsao to writers of local novels in creating images of crazy women.

被誉为文学上“最为诗意的存在”奥菲莉娅的疯癫和死亡实质上是对父权话语霸权的一次无力地反抗，反抗的方式是通过其作为伦理学的个人向美学的转变，具体来说即为奥菲莉娅作为“贞”的女性形象向“美”的女性形象的转变来实现的。该文将首先结合文本深入分析奥菲莉娅身上所体现的“贞”与“美”的本质，同时揭示两者之间的冲突。其次，该文将深究奥菲莉娅的疯癫和死亡所揭示的其对于以“贞”为代表的伦理枷锁的反抗和以“美”为代表的审美化生存的追求。

Central task of this paper is to prove Ophelia’s madness and death is essentially a revolt against the patriarchal hegemo?ny. Her revolt is completed through her escape from ethical world to aesthetic world, to be specific, through her transformation form the girl as the model of ethical chastity to the girl as the model of natural beauty and aesthetic life. First, this article will do a text-based analysis of the nature of Ophelia’s chastity and beauty, and then reveals the conflicts between the two facts. Secondly, this article will go on to reveal how Ophelia''s madness and death will serve to help her escape from ethical world to aesthetic world. Finally, by proving Ophelia’s changes from the girl of ethical honesty into the girl of natural beauty and her escape from the ethical world to the aesthetic world, this article comes to its conclusion that Ophelia ’s madness and death is actually her resis?tance to male hegemony.

《哈姆莱特》中，克劳狄斯与哈姆莱特的对立是该剧戏剧冲突的主线之一。本文认为混沌的时代导致了人性的扭曲，疯癫成了这个时代的表象，虚弱地表达着人们对社会状况的不满与无奈。

In"Hamlet", opposite of Claudius and Hamlet is one of the main lines of the conflict in the drama. This paper thinks that the chaotic age leads to the distorted human nature, madness as the representation of age, weak to express dissatisfaction and helpless of people on social status.

《最蓝的眼睛》是美国当代黑人女作家托妮·莫里森的处女作。小说借助女孩克劳蒂亚的视角,为读者讲述了小姑娘佩科拉为了获得认同与关爱、极度渴望长出一双"最蓝的眼睛"却最终陷入疯癫的悲剧故事。本文尝试从社会、家庭两方面入手,找出佩科拉悲剧的成因,并分析佩科拉悲剧背后存在的价值和意义。

"The bluest eyes"is a contemporary American black woman writer Toni Morrison''s first work. Novel from the perspective of girl Claudia, tell readers the story of the little girl Pecora, in order to obtain recognition and love, she is desperate to grow a pair of"the bluest eye", but eventually in the tragic story of madness. This paper tries to from the two aspects of the society, the family, find out the causes Pecora tragedy, and analyze the existence value and meaning behind Pecora’s tragic.