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双语推荐：真爱

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两个人在一起多久并不重要，重要的是彼此的心是否在一起，是否有真爱，是否能患难与共、相濡以沫。作家三毛在寻找真爱的过程中，踏遍万水千山，历经坎坷，最终找到短暂却又永恒的真爱，无怨无悔，了无遗憾。那凄美且感人至深的真爱旅程，至今仍然感动和激励着我们一代又一代人。
It is not important for which time two people can get together, but for the hearts together, the existence of true love, and sharing with suffering. San Mao, as an writer, when she looks for the true love, she travels from this place to another, experiences all kinds of unfortunate things, at last she finds the eternal love that belongs to her, while it''s fleeting very fast like meteor. The miserable and beautiful love of San Mao still moves and encourages us from generation to another.

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《葬花吟》所表现的，是生命之美与绝望之爱的悲感：在现实世界里，人无法把握自己的命运，生命之美脆弱易逝；另一方面，真爱不再具有可能，黛玉无法忍受生命中真爱的缺席，以死殉爱就成了无奈而必然的选择。
What the Burial of flowers reveals is the sentimental space between the beauty of life and love of despair： in the reality, people cannot grasp their own fate and the beauty of life is fragile and easy to doom; meanwhile, pursuing true love is impossible for Lin Dai-yu, so she has to choose to commit suicide.

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莎士比亚的“第116首十四行诗”和艾米丽的“追忆”极其相似地表达了爱情至死不渝、恒久不变的主题，但两位诗人又以各自独特的方式定义着“真爱”。莎士比亚认为爱是“两颗真心的结合”，爱情是浪漫的，世人应持着积极乐观的态度，而艾米丽认为“真爱就是你我的融合，相爱的人是融为一体的，其欢乐与悲伤共生共死”。此外，两诗从正反两个方面，引证了“爱”的真谛———拥有的要“珍惜”，失去的要“珍藏”。
Shakespeare''s "Sonnet 116" and Emily''s "Remembrance" have a strong resemblance in expressing the eternal love, but their ways of defining"true love"are distinctive. In Shakespeare''s view, love is romantic and human beings should hold a positive and optimistic attitude;however, Emily''s yearning for departed love is miserable. And the poems demonstrate the essence of"love"in two different aspects-the possessed should be"cherished"and the lost should be"treasured".

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大学教师应当是优良道德价值的"代言人"和精神家园的"守望者"。列维纳斯的"他者"伦理展示了一个"向他"和"为他"向度。"向他"及"为他"源于对"他者"的真爱,而"真爱"是伦理构建的原点;而"向他"、"为他"需要"我"与"他者"的"相遇",以及"相遇"中的倾听和言说,这实质上指明了伦理构建的方向和路径。列维纳斯的"他者"伦理虽然带有浓厚的理想色彩,但却为大学教师道德主体性的提升提供了多维的思考向度。
University teachers should be the “ spokespersons” of good moral values and the“watchmen” of the spiritual world. Levinas''s “other” theory discloses dimensions like “to him” and “for him”. “To him” and “for him” stems from true love for “the other”, and “love” is the origin of the ethics system. “To him”, “for him” implies the encounter and communication between “me” and “otherness”. This paradigm essentially shows the direction and route for morality progress. Levinas'' theory of the “other”ethics has a strong touch of being idealistic, but it can provide a multi-dimensional thinking pattern for the university to enhance their moral subjectivity.

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《雷雨》极具震撼力是由于其中的爱恨情感体验被渲染到了巅峰,在婚恋家庭、社会阶级、道德伦理、性别欲望、情感理智等层面写出爱恨体验的千诡万谲。有最专制最奇特最真情的爱,也有最残忍最荒唐最虚伪的爱,同时有最不齿最不忍最恐怖的恨。在爱与恨的多维复杂交织中,写出人性深处的爱与不爱、真爱被欺骗、不爱而有性、爱变成了恨之后的恐怖、假爱的虚伪欺骗逃避责任、真爱不被接受不被理解的苦痛等诸多爱恨万象。
Thunderstorm through time and space greatly shocked the charm is the love hate feelings are rendering and to play to the extreme peak. Thunderstorm write the autocracy,the strangest,most sincere love, also write out the most cruel,the most absurd,the hypocrisy of love, at the same time,write out the most despised, the bear, the most horrible hate. In love and love, love and hate, hate and hate, hate and love,concentrated wrote the depths of human love and doesn''t love, true love is cheating,don''t love and sexual love into hate hypocrisy,deceit,false love after the terror and pain to evade responsibility, love is not accepted to be understood.

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作为一名数学教育工作者,面对后进生不能放弃,只能转化。从后进生形成的主要原因入手,并对转化方式提出见解。真爱浸染,激发兴趣,改变策略,收获快乐,贵在坚持,学困生也能踏进知识的殿堂。
As a mathematics educator,facing the students can not give up,can only transform. The main cause of the formation of backward students,and put forward some opinions on the transformation way. The author thinks:love disseminated,stimulate interest,change strategy,harvest happiness,focus on persever,students can enter the palace of knowledge.

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阐述了索尔·贝娄在1989年出版的中篇小说《偷窃》中蕴藏的犹太伦理:重视个人内省、自新和精神上的自我净化,呼唤人们过一种有道德的生活,宣扬人与人之间的真爱。认为《偷窃》体现了贝娄一贯的深切的道德关怀,指出蕴藏其中的犹太伦理对现代人同样具有指导意义。
The paper expounds the Jewish ethics in Saul Bellow ’ s novella A Theft published in 1989. The novella emphasizes self-introspection, self-renewal, and self-purification, calls on man to live a moral life, and advocates true love between men. It embodies Bellow’ s consist-ent and profound moral concern. The embedded Jewish ethics also have guidance significance to us modern people.

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美国女作家玛格丽特·米切尔在《乱世佳人》中成功塑造了斯嘉丽这个优秀的女性角色。斯嘉丽的性格可以从战前、战中和战后三个阶段进行分析。战前是传统而反叛的南方女性，战中是主动抗争并追求真爱的女性，战后是经济独立并走出家庭的女性。
In "Gone with the Wind", American female writer Margaret Mitchell successfully shapes the excellent female char-acter, Scarlett. The personality of Scarlett can be analyzed from such three stages as pre-war, while-war and post-war. Before the war, she is a traditional but rebellious southern female;in the war, she is a female actively struggling and pursuing true love;after the war, she is an economically independent female without being confined to the family.

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徐訏移港前小说对真善美的探寻，内容上可概括为由真爱出发的探寻，在直陈人生、人性的多面性、复杂性中探寻和理想化探寻三个主要方面；而写实与传奇相融合的虚构方式和知识阶级书写视角则为徐訏该时期小说的基本艺术追求与品格。这种内容和艺术的合一，又显示了其探寻的别样。
The content of Xu Xu''s novels on beauty before the shift to Hong Kong can be summarized as the ex-ploration of beauty starting from true love.There are three main aspects:the straight life, complexity of humanity, and exploration in versatility and ideal.And the realistic and legendary writing style and the perspective of knowl-edge class are the basic artistic pursuit and characteristics of Xuxu''s novels in this period.The unity of content and art shows his unique exploration.

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英国短篇小说家约翰·科利尔(John Collier)的短篇小说《追求者》("The Chaser")以"一语三关"的标题为线索,通过一位渴望用爱情魔药获得女友爱慕的年轻人与一位卖药老人的对话,巧妙设置多组对立元素,在读者参与文本意义建构的过程中传递真爱无价的人生真谛,并揭示出瞬间的激情难以成为持久永恒的爱情悖论。
the short story"The Chaser"by British short story writer John Collier ingeniously arranges many groups of opposing elements to transmit the true meaning of priceless love through the dialogues between characters. It reveals the love paradox that the moment of passion is difficult to become lasting love.

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