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双语推荐:诗歌特征

文章借助"当代诗歌语料库",利用巴赫金的对话性理论探讨了诗歌文本的会话性特征。研究表明,诗歌文本具有强会话性,具体通过会话的序列结构、言说动词、第二人称代词、疑问句等四种语言手段实现。文章还对这四种语言手段在诗歌与散文中的出现频率进行了定量比较。数据显示,诗歌在很大程度上不是个人的独白,而是一种会话性特征很强的语体,其会话性特点明显高于散文语体。
Based on our investigation of the contemporary poetical works database, this article aims at the conversational feature of the poetry text in Bakhtin’s Dialogism Theory.It is argued in this paper that the conversational feature of the poetry text can be realized at the sequence structure of conversation,verbs of speaking,the second personal pronouns and questions. Their frequency in the poetry and prose are also analysed quantitatively in this article.Statistics show that poetry isn’t largely a monologue but a register of high degrees of dialogism.

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历史进程进入19世纪,生态意识在这一阶段有了长足的进展,并在19世纪的浪漫主义诗歌中又得到充分的体现,具有了关注生态的现实性特征。济慈是浪漫主义时期英国最重要的诗人之一,他的诗歌具有浪漫主义诗歌的重要特征,也就是诗歌的价值取向以自然为主,大多赞美自然、关注自然。该文以济慈的诗歌《夜莺颂》为例,从生态视觉的视野下解读诗歌中蕴含的生态意识,诗人既看到文明渐渐远离自然,表现出对生态现实的忧思,又渴望与自然融为一体,诗意地栖居。
Ecoconscience got great development during 19 centuries. Its trends of thoughts was well embodies in Romantic poet-ry, and have the realistic features of concerning ecology. As one of the most important poet of romantic period, John Keats inte-grated many elements of nature into his poems, and showed his praise and concerns to nature. The thesis takes‘Ode to a Nightin-gale’as an example to interpret ecoconscience of his poems from ecological perspective. It shows Keats ’troubled thoughts about ecology and desire of integrating into nature and living in the way of poetical dwelling when he notice civilization desolating the nature.

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罗伯特·弗罗斯特(Robert·Frost)是美国文学史上最具独创性的诗人之一。国内有众多学者从诗歌创作特征与艺术手法文学角度对他的诗进行分析,而进行文体学分析的却不多见。因此,本文作者试从诗的结构和主旨、诗歌的韵律、诗歌中修辞的运用、诗歌中象征表现手法的运用四个方面出发,对罗伯特·弗罗斯特的抒情诗《雪夜林边小立》进行文体学分析,探究其文体特征以及各特征所产生的文体效果,旨在从一个新的角度探索其诗歌的创作特色。
Robert Frost is one of the most original poets in the history of American literature. There are many domestic scholars to analyze his poetry from the poetry creation characteristic and the artistic literary perspective, and stylistic analysis is rare. Therefore, the author of this thesis tries to do stylistic analysis on Robert Frost’s poem“Stopping by Woods on a Snowy Evening”in the following four aspects:from the poetic structure and theme, rhythm, rhetoric, symbolism. So, stylistic effect is produced by exploring the stylistic features and the characteristics of the poetry from a new creative perspective.
狄金森诗歌最大的特点,就是善于创造凝练、奇特和新颖的意象。而这种美学意象的运用,使她的诗歌产生了强烈的艺术效果,展示了诗人丰富的内心世界。从狄金森诗歌意象表现的主题以及诗歌美学意象的应用两个方面,探讨狄金森诗歌中意象的美学特征,进一步加深对狄金森诗歌的研究。
Dickinson’s poem is characterized with condensed, dazzling and novel images. The good use of the aesthetic image has enhanced the artistry of his poems, and richly demonstrated his inner world. This paper discusses the aesthetic characteristics of his poem from the theme in and application of images. Further studies shall be done about Dickinson’s poem.

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意象是诗人在创作过程中以词语为载体的一种修辞艺术,是诗人情感与世间万物的融合体。在探讨英汉诗歌中景物意象语义特征的基础上,诗歌意象的对比研究从一个侧面体现出中西方文化的差异。意象是日常语言的审美变异,其语义具有多层性、多义性和模糊性。从英汉诗歌景物意象的语义特征及其对比研究反映出了中西方不同的地理特征、生产方式和文化传统。
Image is the art of rhetoric with words as the carrier in the process of poets ’ creation, which combines their emotion with all living things .The comparative study on images reflects the differences between Chinese and western cultures based on the research of semantic features in the English and Chinese poetry .Image is the aesthetic variation of daily language with multilayer , polysemy and ambiguity as its semantic features .The study reflects different geographical features , mode of production and cultural tradition between China and Western countries .

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汉代诗歌中忧世之嗟较少,忧生之叹较多。汉代诗歌的忧生之叹,既表现为对有限的生命长度之焦虑,又表现为生命困顿之忧。忧生之叹诗歌的特点,亦能反映出汉代诗歌的大体特征:生命主题作品集中而频繁,体现出发愤而作、宣泄悲愁的创作方向,直面生死,毫不讳言,具有个性与共性相统一的特征,既指向于个体人生,又高度概括了无数人千古共有之情。
In Han Dynasty ,the poems on anxiety of life were more than that of society .The ex-pression of the anxiety of life in poetry concentrated on the sigh for the short life as well as the diffi-cult life .These characteristics also reflected the general features of the poems in Han Dynasty -focu-sing on the theme of life ,expressing the indignation and sorrow ,facing the life and death bravely , and containing both the individuality and generality ,w hich not only refer to the individual life but also the similar feeling shared by countless people in long history .

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论文以海登·怀特的“后现代历史叙事学”理论为基础,分析了中国20世纪80年代诗歌中顾城、第三代诗、海子的诗歌写作。他们分别代表了80年代诗歌写作的不同阶段,由此,可以看出诗歌中的“提喻写作”综合型写作的话语特征,这对于当代诗歌写作有着积极的建构意义与积极影响。
This paper analyzes the poetic writings of Gu Cheng, third-generation poets and Hai Zi based on Hayden White’ s theory of postmodern history narratology. As the abovemnetioned poets are representatives of di-verse phases of poetic writing in China in the 1980 s , the discourse traits of“synecdoche writing” in comprehensive creation can be discerned in their poetic creation, which is of positive constructive significance for and influence on contemporary poetic writing.

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穆旦诗歌实现了关联词的使用与自我诗歌追求的有效性统一,这种统一既表现在关联词所显示的属性特征与穆旦诗歌追求丰富及明确传达丰富的一致上,也表现在关联词与穆旦“理性抒情”及诗歌叙事化主张的相融上。关联词入诗显示了穆旦诗歌的现代性追求,有效地促进了穆旦诗歌别样诗美的形成。
In Mu Dan''s poetry, an effective unity has been achieved between the use of conjunctions and the individual poetic pursuit.The unity is shown in the consistence between the properties of conjunctions and Mu Dan''s pursuit of poetic richness and conveying of richness, as well as in the blending of conjunctions and Mu Dan''s ad-vocating of "rational lyrics"and narration of poems.The use of conjunctions in the poems demonstrates the pursuit for modernity of Mu Dan''s poetry, and has effectively promoted the formation of a different kind of poetic beauty of Mu Dan''s poetry.

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诗歌创作中语言变异是不可或缺的重要元素。前景化是诗歌创作成败的关键。从文体学理论的语言变异及前景化视角入手,对卡明斯的经典诗歌"Love is more thicker than forget"中的五种语言变异进行分析,可以看出卡明斯诗歌的语言变异特征及其前景化效果,进而加深对诗歌思想内涵的理解与领悟,深化对诗歌前景化实现模式的认识和运用,为进一步构建诗歌分析模式、拓宽诗歌研究领域提供有益参考。
Deviation is an indispensable and important element in poetry creation. Ideal foregrounding effect is a guarantee of good poetry. This paper aims to analyze five kinds of deviation in E. E. Cummings'' classic poem Love is more thicker than forget and explore its characteristics of deviation and effect of foregrounding from the perspective of deviation and foregrounding theories in stylistics,in order to develop a better understanding of patterns to realize foregrounding in poetry and supply valuable reference for building poetry analysis pattern and broadening its research field.

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微时代诗歌写作呈现喷涌态势。较之传统诉诸纸媒的诗歌,微诗歌具有写作自由随意、即时、高度个人化、生活与审美混同等新特征。而在其兴盛同时,也面临着诸多挑战,如平庸、浮躁、粗鄙之作泛滥等。针对此,可采取如下策略以寻求突破,即坚持诗歌本位,立足微写作立场,加强微诗歌理论研究等。只有通过诗人与批评者的共同努力,才能把微诗歌从由量的膨胀转向质的提升,进而实现其真正繁荣。
In the micro-blog era, poetry’ s quantity has been increasing rapidly.Compared with traditional paper-based poetry, the micro-poetry has some new features, such as writing freely and timely, highly personal, life confused with aesthetics and so on.While flourished, it’ s also faced with many challenges, because there are too mangy mediocre, impetuous, vulgar works.In order to solve these problems, we should adhere to the poetry standard, take the micro writing as the foothold, and strengthen the micro poem theory research.Only with the concerted efforts of the poet and the researchers, the micro-poetry could change from the improvement of quality to the quantity expansion, and realize it’ s real prosperity.

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