作为绝句的一种,七言绝句属于近体诗范畴。又因七言绝句短小精悍,节奏明快,便于创作,利于传诵,故在有唐一代空前鼎盛。七言绝句发展到晚唐,呈现出以口语入诗,思想上比较贴近民间的创作特点。而王驾作为晚唐一位擅长七绝创作的诗人,虽然现存诗集中收录其作的数量不多,但是绝大多数都有可圈可点的地方,尤其是《古意》和《社日》两篇,不仅反映出七绝发展到晚唐所呈现出的态势,而且也彰显出王大用本人诗作的艺术特色。

As one kind of quatrains,Seven-Character Poems belong to the category of modern style poetry. Because Seven-Character Poem is characterized with shortness,sprightly rhythm,convenience to create and read, it reaches its climax unprecedentedly seen during the Tang Dynasty. And the late Tang Dynasty saw its further development of use of spoken language in creation and closeness to the common people in thought. As a late Tang Dynasty poet proficient in Seven-Character Poem writing,Wang Jia has created some marvelous poems, few of which are collected in the existing poetry anthology,with the two poemsGu Yi andShe Rias the typical example. They not only reflect the trend of Seven-Character Poems in the late Tang Dynasty,but also show the artistic features of Wang Jia’ s poem.

《唐人万首绝句选》是清康熙年间"诗坛圭臬"王士禛(号王渔洋)编纂的最后一部唐诗选本(以下简称为"渔洋选本")。该选本是对赵宦光、黄习远本《万首唐人绝句》(以下简称为"赵黄选本")进行的删纂,对于清代诗学尤其是绝句领域的研究极有价值,故有必要通过对《唐人万首绝句选》的研读,弄清该选本的选诗特征与诗学思想。渔洋选本基本符合唐诗当时发展实情、以诗人诗作本身的造诣选诗。该选本虽选"四唐"之诗,以选录中晚唐诗人诗作偏多,但通过该选本对赵黄选本的删纂仍可窥见该选"略重盛唐"的诗学思想。

Tang Selected Ten Thousand Quatrains is the last anthology of Tang poems compiled by Wang Shizhen (named WangYuyang), also called“poetry standard”, in the Qing Kangxi years. The anthology comes into being based on deleting and compiling Zhao Huanguang and Huang Xiyuan’s Ten Thousand Tang Dynasty Quatrains, which is extremely valuable for the research on the Qing dynasty poems especially in the quatrains field. So it is necessary to study on the selected poems’ Characteristics and poetics thoughts of Tang Selected Ten Thousand Quatrains by reading. “Yuyang anthology” is consistent with the real development of the Tang poetry, selecting poems according to the poet’s talent itself. Though the anthology has selected“Four Tang poems”, mainly including the late Tang Dynasty poets, the poetics thought of“slightly focusing on glorious age of Tang”can be still seen through the anthology of“Zhao and Huang”.

《清史稿艺文志拾遗》补清人艺文志之阙,但其据目录采目未经眼原书,难免讹误。谨对其集部之《庚寅漫录》、《阮亭论诗绝句》、《阮亭诗选》、《王阮亭诗初集合刻》等14种著述之作者、名称、版本进行考证。

“The Addition to The Records of Art and Literature in Qing Dynasty” is a supplement to the records of art and literature in Qing Dynasty. This paper does textual criticism on the authors, titles and versions of fourteen catalogs.

《辋川集》是王维与道友裴迪于天宝年间在辋川庄写下的唱和组诗,是其山水诗的巅峰之作。在辋川别业,诗人把山水景物作为描摹对象,于诗情画意中洗涤自己幽独空寂的心灵。20首绝句,即是诗人这一时期隐逸情趣的折射,更有一种佛家崇尚的顿悟机缘。

Wangchuan Collection of Poems is collection of poems composed by Wang Wei and his friend Pei Di during Tianbao years.They were Wang’s best scenery poems.At Wangchuanbieye,he wrote about mountains and rivers reflecting his loneliness in tranquility.All the twenty poems reveal his withdrawal as well as sudden Buddhist insights.

"都云作者痴,谁解其中味"是《红楼梦》首回中绝句所云,"作者痴"是小说开篇的自白。分析"满纸荒唐言"四句的诗语特点,结合小说写作中对人事的类分意识和哲理思考,从情感、道德、哲理三方面简要剖析这个具有深厚意蕴和探源空间的"痴"字,领悟"痴"所表征的作者精神和"红楼"思想,乃是哲学之"真"、道德之"善"和艺术之"美"的统一。

“All speak the author is fanatic, but who understands his feeling” is the sentence of a poem in the first chapter of The Dream of Red Mansion.“The authors is fanatic” is the confession of the opening of this novel. In view of this, the article is based on the analysis of“the paper is full of absurd speech” and the novel’s category consciousness and philosophical thoughts, analyzing briefly the profound meaning and origin of the word “chi”(痴) from the emotional, moral, philosophical aspects. At last, it can be simmered down to a conclusion that the author’s spirits and the thought of“Red Chamber” that the word“chi”(痴) stands for is the unity of philosophi-cal truth, moral goodness and artistic beauty.