“浪漫主义”（Romanticism）常常在多种意义上被使用，在18、19世纪的宏大理论脉络之中，这个术语的历史同现代、理性、世俗化及其相关哲学假设，还有趣味、判断标准、审美文化，存在着剪不断理还乱的关系。这种复杂的关系，甚至汇入了思想史、批评史以及政治观念史的语境之中，成为跨学科考察的对象。在观念史家笔下，这个桀骜不纯而拒绝定位的“浪漫主义”是一个危险的异数，历史灾异的根源。在文学批评的整体视野下，同古典主义相比较，浪漫主义在诗歌、诗歌想象作用与性质上存在着相同的看法，对自然与人的关系所见略同，对诗体风格极其修辞上都有相同的选择取向。在政治思想史的论域，浪漫主义是一种政治决断论，它宣告每一个体都可以行使高贵无羁的自由意志，伸张自我，决定命运，选择未来。

Having always been used in many senses, the history of the concept“Romanticism”has a kind of complicated relationship to modernity, rationality, secularization and various philosophical assumptions concerning with them, and to the aesthetic taste, the criteria of judgment, and cultural milieu as well, in the context of grand theories in the turn of 18th and 19th centuries. Then, the history of concepts within the complex connections with history of intellectual, critical, political ideas has become the object of interdisciplinary studies. However, we could discern three strains in the narrative tradition. Firstly, according to the historians, as one of the most intractable and unconstricted concepts,“Romanticism”may, properly speaking, be a dangerous heterogeneity, which is possibly the roots of historical disasters. Secondly, from the perspectives of literary criticism and compared with classicism, it seems to us that there have been, among Romantics in diversity, some c

浪漫主义是欧洲文学史上曾经普遍流行的一种文艺思潮,是现代西方文艺思想的起源。五四时期,在个人发现、个性解放和个人主义的时代背景下,创造社异军突起,形成了一个声势浩大的浪漫主义潮流,与文学研究会所代表的现实主义潮流构成了双峰并峙、二水分流的形势。五四浪漫主义把情感、想象等视为文学的本质,强调文学与自发性、天才、灵感等特点的联系。浪漫主义的文学观念影响了整个五四一代作家。1925年五卅运动以后,中国社会发生急剧变化,创造社开始否定浪漫主义和个人主义。1928年革命文学运动兴起,提倡新写实主义和唯物辩证法的创作方法,在理论上以现实主义为标帜,并且否定浪漫主义。社会主义现实主义尽管把浪漫主义纳入自己的理论体系,对浪漫主义进行了重新评价,但实际上,在1930年代,逐渐形成了独尊现实主义的趋势。

Romanticism was once a literary trend prevalent in European literature history,and the ori-gin of modern western literary thought.During May Fourth Movement period,under the background of in-dividuals found,individual liberation and individualism,with the meteoric rise of Creation Agency,it formed a massive tide of romanticism,and while Literary Studies Club stood for realism trend,it came to a Kaleidoscopic dihydrate triage situation.May Fourth romanticism took the emotion,imagination,etc. as the essence of literature,emphasizing the contact of literature and spontaneity,genius,inspiration, etc..Literary romanticism influenced the whole May Fourth generation of writers.After the May 30th Movement in 1925,Chinese society has undergone dramatic changes,Creation Agency began to deny ro-manticism and individualism.Revolutionary Literature Movement rose in 1928,advocating a new realism and creative method of materialist dialectics.In theory,realism is the flag,while denying romanticism. Th

张爱玲认为,五四新文学具有浓重的浪漫主义倾向。这种浪漫主义倾向刻意地理想化人物和生活,掩盖了现实的真相。20世纪40年代,通过"新文艺腔滥调"的提法,张爱玲申明了自己对于浪漫主义的排斥,而特别能够体现张爱玲对浪漫主义的态度的,是她创作于50年代的小说《五四遗事——罗文涛三美团圆》。在这篇小说中,通过戏仿和影射五四一代的人和事,张爱玲表达了对于浪漫主义的嘲讽和批判。

In Eileen Chang’ s view, May Fourth literature has a strong romantic tendencies.This romantic tendency deliberate-ly idealistic people and normal lives, conceals the truth of reality.In the 1940’ s, in reference to “New Literary Cliche”, Eileen Chang stated her rejection to Romanticism.And in the story May Fourth Romance which wrote in 1950’ s, Eileen Chang showed her irony and criticism to romanticism by using parody and innuendo .

钢琴套曲《蝴蝶》是一部优秀而经典的浪漫主义风格作品,出自德国著名作曲家罗伯特·舒曼之手,是其音乐创作的经典标志,彰显了舒曼的音乐才华。深入分析可知,促成《蝴蝶》这部钢琴套曲浪漫主义风格的因素主要有两个,即舒曼自身丰富多彩的人生经历与深厚的文学修养,而舒曼在创作中还匠心独运的将音乐与文学相结合,于是钢琴套曲《蝴蝶》便具有了独特的文学浪漫主义风格韵味。在此,本文将深入探讨舒曼钢琴曲《蝴蝶》中的浪漫主义风格。

The piano cycle Butterfly is an excellent and classic work with romantic style, written by German composer Robert Schuhmann . This works showed out a classic sign in the way of composing music and presented his music ability. There are two factors for forming the Butterfly, one is his rich life-experience and deep knowledge of literature , one is the combination with music and literature . So , this works has special literature style with romanticism . This paper discusses the romanticism in Butterfly.

＂诗仙＂李白与＂诗魔＂洛夫虽然时空远隔,但诗成为两人联结的精神纽带。洛夫不少诗引用、化用了李白的诗歌名句,更有《李白传奇》等诗在精神上与李白进行对话。在创作手法上,李白追求的浪漫主义与洛夫修正的超现实主义也有相通之处。在诗歌风格上,李白以＂瑰奇＂著称,洛夫则以＂惊奇＂出众。

Although Libai ( an ancient poet in romanticism ) and Luofu ( a magic contemporary poet ) live in different times , there is something in common in their poems and styles , which remains a link between them .In Luofu’ s poems many verses are similar to the famous verses in Libai ’ s.Some of Libai ’ s verses are quoted by Luofu .The poem A legend of Libai and other poems are consid-ered as dialogs through ancient and modern times between them .As for their writing approaches , romanticism pursued by Libai has something in common with surrealism advocated by Luofu .As for style, the features of Libai ’ s poem are magnificent and rare while those of Luofu ’ s are surprising .