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双语推荐:人物形象

童话的人物形象是作品的核心。解析了6个经典童话样本,提出运用格雷马斯“行动元”理论构建人物形象的三个阶段:设计六个行动元、构思主要人物形象和次要人物形象、塑造人物形象。格雷马斯“行动元”理论为童话人物形象的构建提供了方法论指导。
The characters of fairy tales are the core of the works. Based on Greimas'' Actants, the article analyzes 6 classical fairy tales and puts forward three phases of creating characters , namely design six actants, conceive the major characters and minor characters, model the characters. Greimas'' Actants can be used as the methodology for the creation of fairy tales'' characters.

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元代神仙道化剧中,人物形象丰富而生动,可以概括为疯癫的人物形象、慵懒的人物形象、潇洒的人物形象等几种类型。而剧作家对这些人物形象的选取与描绘,主要受到了全真教的影响。
The moralistic drama of Yuan Dynasty had abundant and vivid characters , which can be generalized as madness characters , lazy character and handsome characters and so on .The reason why dramatists chose and described these characters was influenced by Quanzhen Taoism .

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凡一平是近年来颇受关注的广西地域作家之一,其中篇小说无论在创作数量还是在质量上都颇具代表性,具有较高的文学艺术价值。人物形象则是凡一平中篇小说中的一道亮丽风景。文章以凡一平具有代表性的中篇小说为研究对象,以人物形象分析为切入点。通过对其中篇小说的人物形象归类、人物形象成因、人物形象得失等内容论述凡一平中篇小说创作的独特地位。
Yi Ping Fan ,who has drawn much attention in recent years ,is one of Guangxi region writers .His novellas are typical in both quantity and quality ,and have great value of literature and art .Character is one of highlights in his novellas . Based upon Fan Yi Ping’s representative novellas ,the paper focuses on the character analysis ,probes into Fan Yi Ping’s great contribution to literature in the following aspects :the classification of character ,the value of character and the characterization analysis ,including the origin ,the gain and loss ,and so on .

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受纪事本末体体例的限制,《越绝书》在人物形象塑造上具有片段性而不具有连续性:不按时间发展的顺序,通过截取人物一生中一个个独立、重要的历史事件刻画了伍子胥、勾践、阖闾等"累积型"人物形象;或一次出场刻画了渔夫、击絮女等"闪现型"人物形象,两种类型的人物形象共同构成了《越绝书》色彩斑斓的人物画卷。
Limited by theform of chronicle style,Yue Jue Shu (Romance of Heroes in South Chi-na)has the characteristics of segment and inconsistency in creating the characters.Not based on the chronological order but by independent and significant historic events in the historical characters ’ lives,this book portrays not only the “cumulative”figures such as Wu Zi-xu,Gou Jian,and He Lv, but also the “flashing”characters like the Fishing Man and the Weaver Lady who appear only once. These two kinds of characters constitute various kinds of characters in Yue Jue Shu.

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《庄子》用浪漫主义的手法创造了千姿百态的人物形象,值得注意的是,在这些人物形象中,以儒家圣贤著称的孔子却成为道家经典代表作之一《庄子》中出现频率最高的人物形象。《庄子》杂篇中的孔子往往是反面人物,形象异化,与传统中神圣、儒雅、完美的孔圣人大相径庭。以杂篇代表《盗跖》一文来分析《庄子》散文所体现的孔子人物形象,这对于梳理儒道两家思想的渊源非常有意义。
There are abundant images to be created in romantic in Chuang Tzu. It is worth noting that Confucius,the fa-mously Confucian sage,has become the highest frequency characters in the image in the Taoism classic masterpiece——— Chuang Tzu.But Confucius as a negative character in miscellaneous articles of Chuang Tzu ,it is totally different with the image of ho-ly,elegant,perfect sage as usual.Daozhias a master work of miscellaneous articles could help us analyze the image of Confucius inChuang Tzu. That is meaningful to acquire Confucianism and Taoism.

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戏剧是通过对人物形象的塑造来反映社会问题以及体现创作者的主体精神的,人物形象塑造在戏剧创作中始终处于核心地位。婆罗多在《舞论》中用三章的内容来论述角色,又详细阐释了与人物塑造一脉相承的梵剧之情节的运用,足见其对塑造人物形象的重视。
Drama is based on character-shaping to reflect social problems and embody its creator''s spirit. Character-shaping has always been at the core of drama creation.Bharata expounds characters with three chapters in Natyasastra and explains in detail the use of the plot in Sanskrit drama which is closely linked with the shaping of characters.All above shows his great attention in shaping the characters.

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《水浒传》是我国四大名著之一,是我国历史上著名作家施耐庵所著,其小说中塑造的人物形象十分典型,在人物形象塑造上极具典型性。本文主要针对原创《水浒传》中比较典型的一种人物形象进行分析,希望通过本文的分析能让广大读者更加清晰小说中人物形象塑造的意义和对现实社会中人性的写实性意义。
“the Water Margin” is one of China''s four famous , is the history of our country famous writer Shi Naian , the novel characters image is very typical, shape is very typical in characters .This paper mainly carries on the analysis to a character image of the original “Water Margin” typical, we hope that this paper can make readers more clearly in the novel characters in the meaning of human nature and the social reality in the realistic significance .

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文章主要阐述《雷雨》中三位女性人物形象雷雨的性格,悲剧的宿命。分两点来说,一是剧中三位女性人物形象虽然年龄不同、身份地位不同,对待人生命运所采取的反抗方式不同,但她们都在努力与人生命运进行着反抗,体现出她们具有雷雨因素的性格;二是从反抗的结局来讲,三位女性人物形象终究在人生命运中走向悲剧的宿命。
This paper can be divided into two sections.In the first section,there are two points to describe three females’characteristics and tragic fatality in drama“Thunderstorm”.First,although the three females have different age,different status and different resistance to their fates,they stil attempt to fight with their fates. It shows they have the characteristics of this drama.Second,according to the ending of resistance the three females’fates stil come to the tragedy.We can find this point from the three females fates,they are FanYi,Shiping,Sifeng.

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从形象分析、艺术手法、特征成因、道德意蕴等4个方面综述了近30年学界对《诗经》人物形象研究的成果。对女性形象的分析主要是描绘外貌、赞扬优秀品质,对男性形象的分析主要是论述人物体现的道德品质;塑造人物的艺术手法包括赋、比、兴以及外貌描写等刻画人物的一般手法;特征成因则包括宗教意识、审美传统以及社会背景;人物形象体现了孝悌、正直、忠君爱国的道德意识。研究的不足主要表现在对《诗经》中人物形象分析的重复,对其塑造人物的艺术手法挖掘不够,对人物形象体现的道德意蕴的现实意义缺乏深入探讨。
It summed up the achievements of characterization inThe Book of Poetry from four parts:image analysis,artistry, the cause ofcharacteristics and moral implicationin the past 30 years. The appearance and excellent qualities were described in the analysison the female. Meanwhile, moral characters were described in the analysis aboutthemale. The artistic techniques were always expressed byFu, Bi, Xing and thegeneral technique of character description. The cause of thecharacteristicsmight be the religious consciousness, aesthetic tradition and social background. The moral implication included such moral consciousness as filial piety and fraternal duty,integrity, loyalty and patriotism. The limitations of the studywere the repeatinganalyses on characterization, lacking ofdeeperdiggingin artistic techniques and realistic significance about moral implication.

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在一切以演员自身为创作材料与工具,并以自身"化身"为人物形象的表演艺术,如戏剧、电影和电视剧表演中,都以行动作为它的基础。演员只有通过舞台行动才能塑造性格创造人物形象,才能较好的完成演员的二度创作。
The performing arts , such as drama, movie and TV serials is based on action.In performing arts, actors are the materials and tools.Actors portray characters and create character with the action on stage.

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