《傲慢与偏见》是英国文学史上的一部经典作品,其翻译版本众多,译本因所处年代和时代背景的不同而不同。在研究比较一部作品的不同译本时,译序有着独特的价值。分别选取王科一和孙致礼译本的译者序进行比较,分析两译本所体现的不同时代特色:王译本带有封建残余思想和浓厚的乡土气息;孙译本则注重细腻的人物刻画并带有异域风情。

As a classic in the history of English literature,Prideand Prejudice has been translated into many languages for many times.The translation versions vary with the age and background.When it comes to compare and study different translated versions,translators’prefaces have unique value.The article, based on the prefaces of two translated versions by Wang Ke-yi and Sun Zhi-li towards Pride and Preju-dice,attempts to analyze the time features in translating through the corpus-based approach.The version by Wang Ke-yi is filled with the remaining thought of feudalism and a strong flavor of rural life while the version by Sun Zhi-li focuses on the delicate characterization and exotic style.

翻译的根本任务是忠实地再现原作的思想和风格。文学翻译不同于其他翻译,不仅要忠实通顺,也要体现出原作的异国情调。因此,异化策略是必不可少的。《傲慢与偏见》是英国优秀文学的典型代表,本文从翻译策略的角度对孙致礼译本进行分析,探究异化策略在文化再现方面的具体运用,以期对翻译学者有所启示。

The basic task of translation is to reproduce the thought and style of the original work faithfully .Different from other types of translation , literature translation has to be not only faithful and smooth but also clear with exotic flavor.Therefore, foreignization is very necessary in literature translation .Sun''s Chinese version of pride and preju-dice is analyzed from the perspective of translation strategy and the application of foreignization in reproducing the original culture is discussed in this article , in the hope of bringing some light on translators .

《傲慢与偏见》中最经典的莫过于主人公话语中所流露出的幽默与讽刺色彩。如何将小说中的幽默与讽刺话语地道地翻译出来而又不脱离原文语境,一直是翻译家们所面对的难题。而格式塔心理美学翻译理论正是研究如何体现译文整体美感,强调读者心理审美意象,为该文本的翻译提供了鲜活的思路与理论源泉。本文试图在格式塔心理美学理论观照下,立足其四大核心原则,从《傲慢与偏见》的两个中译本出发——孙致礼版（1991）和张玲与张扬合译版（1992）,探讨译者在翻译小说中幽默与讽刺话语时是如何实现其心理活动与翻译过程的相互作用,并最终形成完美统一。

The most classic part of the wonderful novel Pride and Prejudice is the characters’ humorous and ironic qualities between the lines .And it has always been the problem to the translators about how to get the authentic translation of these humorous and ironic dialogues without departing from the original context .Gestalt aesthetics translation theory is just focused on the study of how to embody the overall aesthetic effect of the translation by emphasizing the readers''psychological aesthetic image ,and can provide fresh source of ideas and theories .Based on the typical six rules of Gestalt aesthetics ,this article will comparatively study the methods of translators to achieve the interaction between their mental activity and the translation process and to eventually form a prefect unity on two Chinese versions-SUN Zhili’s version (1991) and the joint version of ZHANG Ling and ZHANG Yang (1992) .