魏晋名士尽管风度各异，但在生活方式上多表现为“达”与“雅”，达，表现为违礼逾制惊世骇俗的率性之举；雅，表现为清高自赏绝尘超逸的诗化人生。从盛唐著名诗人的生活轨迹中，可以清晰地看到魏晋名士或达或雅的生活方式对盛唐诗人的影响。

Although the style of personages in Wei and Jin Dynasties is different, but in the way of life more performance for elegance. From the poet''s life trajectory in Tang Dynasty, we can clearly see the influence of elegant way of life of personages in Wei and Jin Dynasties to the Tang Dynasty poet.

明代大理文学家杨士云,生平大部分时间隐居乡野,与杨慎、李元阳、杨南金等名士均有交往。杨士云一生勤学笃行,甘贫乐道,高标自洁,在文学、历史、地理和天文方面均有成果,道德和文章堪为一方楷模,对云南学术文化的发展有重要贡献。

Yang Shiyun,born in Yunnan Dali,was recorded to live in seclusion in the countryside and communicate with the celebri-ties such as Yang shen,Li Yuanyang and Yang Nanjin.With his hard working,persevering,poor and self-respecting life Yang made great achievements for literature,history,geography and astronomy.As the model of moral and writing,he also made significant contri-bution to the academic culture for Yunnan.

孔尚任在《桃花扇》中用一柄桃花扇传达出南明末年一代秦淮明艳李香君与清流文人侯方域爱情的悲欢离合。同时，他发挥了班婕妤《怨诗》之后秋风纨扇所承载的士不遇情怀，书写复社文人由于性格软弱所造就的时遇不济。此外，他用扇作为诗书画三绝的载体，通过侯生题诗、香君溅扇、龙友题画而成一柄桃花扇，寄托文人的水墨情怀。再者，白羽扇自武王伐纣、顾荣羽扇挥军开始，就与建功立业的理想、名士风范的追求如影随形，孔尚任借羽扇抒发了对力挽狂澜名士的渴望以及明臣贤将的哀悼。最后，孔尚任让扇子走出剧本，走进舞台，灵动潇洒地描摹人物的性情，点染场地布景，写意无限的韵味。

Kong Shangren used the peach blossom fan to convey the grief at separation and joy in union of love between the bright beauty named Li Xiangjun and Elegant named Hou Fangyu in The Peach Blossom Fan. Meanwhile, he played the unrecognized talents reposed in round silk fan in the autumn wind after Hatred Song of Shimizu Ban, to express the unrecognized talents of complex society scholars caused by the weakness of character. In addition, owing to the fan as a carrier of poetry, calligraphy and painting, he took it to bailment the literati feeling by the fan which was composed a poem by Hou Fangyu, spilled blood by Li Xiangjun, painted by Yang Longyou. Furthermore, the feather fan had been closely linked with the ideal of building up establishment and the pursuit of the demeanor of celebrities, since Crusake against King Zhou of Shang by King Wu of Zhou and Gu Rong commanded the army by it. The author used this to convey the desire to the celebrities of saving the critical situation and the

佛教于东汉初期传入中国,经魏晋,至南朝梁武帝时达到鼎盛,兰若众多,规模宏大;法会常设,上至帝王公卿名士,下至黎民百姓,崇信佛教蔚然成风。而皇侃的《论语义疏》正是完成于这一时期,尽管是对儒家经典《论语》作解释,然时风所及,其不可避免地受到佛学思想影响,无论是在用词、体例,还是在思想阐释等方面都留有佛学思想之痕迹。

Buddhism was first introduced to China towards the early Eastern Han Dynasty,and after the Wei and Jin dynasties,it reached its heyday in the regime of Emperor Wu of the Liang Dynasty between AD 420 to 589.At that time,there were numerous grand temples and dharma assemblies.All over the country, emperors,officials,celebrities and common people believed in Buddhism.Huang Kan’s The Annotation and Interpretation of the Analects of Confucius was just completed in this period.Although it was used to ex-plain the Confucian classics,it could be inevitably influenced by Buddhism.The later scholars can find the traces of Buddhist thought in his choice of words,annotative style and ideological interpretations.

陶渊明是中国一千六百年前久负盛名的归隐诗人，亨利·大卫·梭罗则是美国十八世纪超验主义思想代表作家、哲学家。二人虽不同国别，生逢不同时代，但都以隐逸而被誉为千古名士。二人都钟情自然，归隐世外，又有着相似的生活观，价值观和自然观，这就激发了对二者作品的比较文学批评。该文试图从三个方面探讨陶渊明与梭罗在自然观上的共通点：对自然的热爱，对归隐的理解，以及自我实现的方式。

Tao Yuanming, as a historically-renowned Chinese hermit 1600 years ago, and Thoreau, as a transcendentalist in American in 18th century, though in different nations and time and age, are both referred as nature-lover and hermit, and share much in common in lifestyle, value, and philosophical thinking of nature. Their similar life outlook and view on nature provide food for comparative literature review. The paper attempts to analyze similarities between Tao Yuanming and Thoreau ’s view on nature through 3 angels: Their similarity in the love of nature, similarity in understanding of seclusion and the similarity in self-realization.