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双语推荐：小姐

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《红楼梦》第五回的“正册”判词，不仅预示了十二金钗的悲剧命运和结局，而且在排序问题上，作者也匠心独运。判词的排序首先遵从了封建社会主子小姐、媳妇这个大的等级框架，将主子小姐排列在前、媳妇排列在后；接着按人物形象与宝玉的婚恋关系和贾府关系，出场顺序和出场率，还有作者对这个角色的珍爱程度，以及如何达到一种大体的平衡等，将金陵十二钗判词以两两相对的形式排列而出。
In the fifth chapter of “The Story of the Stone” ,the poems in the "Zhengce" predicted the tragic fate and outcome of the Twelve Beauties .Furthermore ,the author arranged so ingeniously the order of these poems .This order complies with a large framework of the hierarchy in a feudal society :the masters are arranged in front of all ,followed by the wives of male mas‐ters .The author also arranged these poems of Twelve Beauties in the form of pairs by considering so many elements ,such as the relationship between the characters and the primary and secondary clues of the novel ;the order of appearance and the frequency of appearances ;the degree of the cherish of this role by the author and how to achieve a generally balance .

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王安忆的《长恨歌》以独特的女性视野讲述了上海小姐王琦瑶的一生。本文将首先浅析女性主义文学和王安忆的关系，再讨论《长恨歌》中透露的女性主义思想。
With an unique female perspective , Everlasting Regret talk about the life of Wang yitao who lived in Shanghai. This paper an-alyzes the relationship between feminism and Wang angi, then discusses the feminist thoughts in her works.

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在认知语言学隐喻认知角度分析广告文本研究的基础上，本文加入了多模态的分析方法，认为图像、声音等模态的引入使从隐喻角度分析视频广告成为可能。文章通过对视频广告香奈儿可可小姐香水广告的多模态隐喻认知分析，证明了该分析方法是一种有效的了解动态文本认知建构过程的方法。
Cognitive metaphor has been used to analyze the printed advertisement. Based on that, multimodal metaphor might be used to analyze video commercials because of the introduction of picture modality, sound modality and so on so forth. This essay tries to prove that multimodality metaphor is an efficient method to know the process of cognitive construction in the dynamic discourse. The commercial of Chanel Coco Mademoiselle has been taken as an example to prove the way useful .

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20世纪60年代以来,一批重要的非裔作家新奴隶叙述的文本问世,也不断引起评论界的关注,非裔美国作家欧内斯特·盖恩斯的《简·皮特曼小姐自传》正是一部用新奴隶叙述这一文类重写奴隶历史的力作。对该小说的新奴隶叙述形式和主题梳理和探讨,以期挖掘其新奴隶叙述的文本体征。
Since the 1960s, there have been an increasing number of neo -slave narrative works written by African American writers and the works have increasingly garnered critical attention in recent years .The Autobiography of Miss Jane Pittman ,African American writer Gaines ’ s most well -known and representative work , is generally regarded as all effort to rewrite the history of slaves in neo-slave narrative genre .Discussions on its form and thematic concerns in the neo -slave narrative will contribute to ex-plore the neo-slave narrative textual features in The Autobiography of Miss Jane Pittman hopefully .

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《献给艾米丽小姐的一朵玫瑰》是福克纳短篇小说的代表作之一。福克纳小说中塑造的畸形变态的人物形象及离奇的故事情节深刻地展示了美国南方历史中的痛苦人生。通过分析作品的主题、氛围及人物来研究小说所具有的哥特式元素,即该小说是一部哥特式小说,作者用哥特式手法为我们展现了社会转型时期人们的内心世界。
A Rose for Miss Emily is one of William Faulkner''s masterpieces.Faulkner shows sufferings life in the history of the American South by shaping deformities perverted characters and fantastic storyline in his novels .He presents people''s inner world in the period of social transformation with Gothic elements of theme , atmosphere and characters.The novel is a Gothic style novel .

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《献给爱米丽的玫瑰》中爱米丽小姐的一生就像生活在一个监狱式社会里，随时受到别人的凝视，被男权文化规训和惩罚着。在与规训性权利的较量中她输得一塌糊涂。由于规训性权利内化为对自我的审视，在内省中她认为反抗传统妇道观的行为是错误的，这种强大的心理压力或许就是导致她足不出户离群索居的本源。
Miss Emily in Faulkner''s A Rose for Emily lived in a world which was like a carceral soci-ety, in which she was gazed, in which she was controlled and punished by disciplinary power---male-domi-nated culture. In the fight against disciplinary power, she lost completely. Because disciplinary power can be internalized to be a kind of self-supervision, Miss Emily thought that her fight against traditional womanhood value was wrong. This strong psychological pressure maybe is the cause of her isolated tragic life.

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本文以《名利场》中夏泼小姐的衣服和金刚钻为例,剖析了19世纪英国作家萨克雷对物的对立功能、对人与物间的关系所作的深刻思考。萨克雷不仅看穿了"名利场"中物所表现出来的超越使用价值、突显物主(拥有者或使用者)身份地位的符号功能,他还看到了物的另一功能:它们往往会脱离主人的控制,去控告主人、威胁主人,甚至颠覆其身份地位。
By anatomizing Miss Sharp ’ s clothing and diamond in Vanity Fair, the paper penetrates into Thackeray ’ s re-flection on the contradicting functions of material objects and the relationships between objects and their owners .The author not only sees that material objects in Vanity Fair mark the owners ’ or users’ social positions and identities , showing the sign value of objects besides their use value , but also sees that objects usually are out of their owners ’ control , incriminating , threatening , and even o-verthrowing their owners ’ social positions .

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美国南方女作家卡森·麦卡勒斯的中篇力作《伤心咖啡馆之歌》(1943)被很多人看作是表现人类精神普遍隔绝的寓言或者是女权主义的呐喊之作,却往往忽略了在二元性别社会中女主人公性别身份流动的状态。本文将从爱密利亚小姐性别身份的转变中探究作者在设置爱与被爱的情境下边缘人物(queer)是如何在自我身份的迷惘以及自我丧失的痛苦中走向沉默。
The Ballad of the Sad Café ,the famous novella of southern American writer Carson McCullers, is generally regarded as an allegory of universal modern human existence of“spiritual isolation”or a representative works of feminism. However, critics usually neglect the state of the flowing gender identity of the heroine in dichotomy gender society.This paper probes into how the queer roles head for silence with confusion of identity and ego lost through exploring the gender transition of Miss Amelia under the circumstance of love and be loved set by the author.

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作为庶出得不到家人关爱的贾府二小姐———贾迎春，由于自身体弱多病，才能、见识有限，导致性格较为懦弱，被人轻视，所以只能通过信仰与世无争的道家思想来寻求心灵的慰藉，与人相处变得随遇而安、缺乏主见，待己待人都比较冷漠，最终被丈夫折磨而死。其悲剧既是在父母之命主导下的婚姻悲剧，又是信仰道家而最终没有善果的信仰悲剧。正是这个处处衬托他人，与世无争的女子的逝去，丰富了《红楼梦》的思想内涵。
As a bastardy with no care from the family,the second miss of Family JIA ——— JIA Ying-chun,has formed her coward character and is ignored because of her poor health and limited caliber.Therefore,she has to seek for her own spir-itual consolation through her faith and which advocates no pursuit.She does not have her own idea and has become cold and in-different when getting along with other people,and finally is tortured to death by her husband.Her tragedy is not only the tragedy of her marriage which is determined by her parents,but the tragedy of Taoist faith which leads to no good fate.It is the death of the lady who always flatters others and holds herself aloof from the world that enriches the connotation of ADream ofRed Mansions.

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小说的文体特征与作品的主题和美学价值有密切的联系，因此文学文体学不仅是文学批评的重要方法，在文学翻译中也起着不可忽视的作用。该文从文学文体学的角度，讨论了《布里尔小姐》的翻译，旨在说明只有对原文的文体特征有了充分的把握，并在翻译的过程中具有文体意识，译者才能避免“假象对等”现象的出现，从而更完整地保留原作的主题意义和美学效果。
A fiction’s stylistic features are closely related with its thematic and aesthetic significance. Literary stylistic not only is an indispensable method in literary criticism, but also plays an important role in literary translation. This thesis analyzes the transla-tion of“Miss Brill”in the light of literary stylistics, aiming to illustrate that only when a translator has the consciousness of literary stylistics and an adequate understanding of the stylistic features of the original work, can he avoid“deceptive equivalence”and re-alize the thematic and aesthetic significance of the original work.

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