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双语推荐：诗经

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《诗经》宋学和现代《诗经》学分别是《诗经》学史上两次极其重要的转型，这两次转型都伴随着声势浩大的废《序》运动，其运动宗旨以及对新的《诗经》阐释方式的构建影响着《诗经》宋学和现代《诗经》学的形成。废《序》运动推动了《诗经》学的转型。
The two eras of the research on The Book of Songs in Song dynasty and in the Republic of Chi‐na are extremely important transformations .The two transformations are accompanied by the two times movements of abandonment on the Preface to The Book of Songs .The aims of the movement and the construction of a new interpretation system affect the formation of the research on The Book of Songs in Song dynasty and in the Republic of China .The movements of abandonment on the Preface to The Book of Songs drive the transformation of the research on The Book of Songs .

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朱熹《诗集传》为诗经宋学代表之作,对其之前的宋代诗经学广泛吸收与借鉴。20世纪以来,研究朱熹诗经学的论述著作纷纭,异彩纷呈,关于朱熹诗经学与宋代其他各家诗经学的比较研究亦是成就斐然。20世纪上半叶较少出现专门著作,但已有学者意识到欧阳修等人的开创之功,朱熹的主要成就并非创新,而是融百家之精义,集宋学之大成。20世纪下半叶,朱熹诗经学的研究蓬勃发展,但有些学者还带有阶级理论的烙印,在肯定朱熹诗经学对诗经汉学有突破之功的前提下,亦指出其研究视域的局限性。21世纪以来,对朱熹诗经学的研究更加深化、细化,对朱熹诗经学与宋代其他各家诗经学的比较研究也具有相当理论深度。
Zhu Xi’s Collected Commentary of the Book of Songs is a representative work of the study about the Book of Songs in the Song Dynasty.Since the 20th Century,there has been a lot of comparative researches on his studies with other scholars in the same dynasty.The first half of the 20th Century rarely saw specialized works.Many scholars realized Ouyang Xiu''s pioneering work.Zhu Xi''s main contribution was not innovation but the great integration of many theories’essence and achievements.In the second half of the 20th Century,some scholars used class theory to study Zhu Xi and his works and also pointed out the limitations of research field.Since entering the new century,the research on Zhu Xi''s studies of the Book of Songs is more comprehensive and elaborate.

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魏晋南北朝时期的《诗经》研究因儒家独尊的文化模式被混乱多变的政治局势所打破,文化渐次多元,其政治功利性逐渐下降,《诗经》研究呈现出特有的多彩风貌。在汉代已经发展成熟的《诗经》经学研究仍在继续,毛诗学派独领风骚,《诗经》学文献颇具特色,《诗经》的文学研究也大力发展起来,并取得了较大的成就,且后者还从此拓展了《诗经》研究的新领域,由此奠定了魏晋南北朝《诗经》研究在整个《诗经》学史上承上启下的特殊地位。
The Study of The Book of Songs in Wei and Jin Dynasties is break by the chaotic and changeable po- litical situation in ＂the book of songs＂ research for dominant Confucianism culture pattern. Since culture gradually diversified, and its political utilitarianism gradually declined,＂ The study of The Book of Songs presents unique and colorful style. The classics research of The Book Of Songs that had developed In the Han Dynasty continues, the school of Mao poems outshines the rest, the literature research of The Book of Songs is also vigorously developed, and has made great achievement. And the latter also has evpanded new areas of the research, which also set impor- tant special status of connection link between the study in Wei Jin Southern and Northern Dynasties and the whole history of the study of The Book of Songs.

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《泽螺居诗经新证》是近代学者于省吾先生借鉴《诗经》故训所取得的成果，是《诗经》训诂学史上一次大胆而卓有成效的尝试，是20世纪《诗经》训诂领域极具开拓性的一部大作。从三个方面来探讨《泽螺居诗经新证》对《诗经》故训的继承和发展，以期总结出其训诂成就。
A new license for the Book of Odes by Zeluoju is a bold and fruitful attempt at the exegesis for the Book of Odes ,which is Mr . Yu Xing Wu who as a modern scholar''s achievements by inheriting and developing the old exegesis for the Book of Odes .Meanwhile ,it is an influential book in the exegesis of 20th century . In this paper , there are three parts to summarize its achievements by discussing the inheritance and development of it to the old exegesis .

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2014年8月3-6日，在河北省会石家庄召开了中国诗经学会第十一届年会暨国际学术研讨会，会议由河北师范大学文学院承办。会议提交论文130多篇，出席会议的代表分别来自中国大陆、台湾、香港，美国、韩国和日本等。大会提交的《诗经》研究成果，以单篇论文为主，基本反映了近两年来该专业的研究成果。其内容大致概括为5个方面：《诗经》文本的研究、《诗经》与历代文人文献关系研究、《诗经》版本研究、《诗经》与文化研究、《诗经》阐释史研究。目前的研究多限于文献研究，将文献研究与义理研究相结合才应是《诗经》研究发展的主要方向。
The 11th Annual Meeting and International Symposium of ChinaShi Jing Society was held in Shijiazhuang in Hebei province on August 3to 6, 2014, which was hosted by the College of Literature, Hebei Normal University. More than 130 papers were handed. Representatives attended were from Chinese mainland, Taiwan, Hongkong, America, Korea and Japanese. Research results ofThe Book of Songs were mainly papers which reflects the achievements of recent two years, including the studies of texts, the relations between literati and their documents in all ages, editions,The Book of Songs and culture and the history of its illustration. Certainly, most of the present studies belong to document research, but it is a tendency to combine document research and argumentation research.

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两千多年的诗经学历程中，经生注《诗》与理学家说《诗》的结果，使《诗经》逐渐脱离其诗性，而被赋予经学内涵和理学思想，异化为教化工具。《诗》被一代代的诗教“魅影”层层包裹，成为言说政治的载体。基于此，王夫之提出了“以诗解诗”的阐释方法，以诗歌艺术的角度审视《诗经》，体会蕴含其中的情意之美、艺术之美，并以此祛除厚重的《诗经》政治教化之“魅”，从而恢复《诗经》活泼的诗歌生命。“以诗解诗”，不仅是《诗经》研究方法的尝试，亦是推动《诗经》文学阐释进程的动力，在诗经学史上有着十分重要的意义。
During the two thousand years on the study of the Book of Songs, the annotation by the pedantic scholars and the interpretation by the moralists make the Book of Songs departed from their poetic features. However, the book is endowed Confucian classic connotation and neo-confucianism thought which alienates the ideas into the tools of enlightenment. The Book of Songs haunted with the moral shadows became the politic carrier. Wang Fuzhi puts forward a hermeneutical method named Understanding Poems through Poems, which surveys the Book of Songs by poetic art, experiencing the beauty affection and art in it and dispelling the political shadows of enlightenment to recovery the lively life of the poem. Understanding Poems through Poems is not only an attempt to conduct the Book of Songs research, but also the power to promote the interpretation of it, which is significant in the history of the study on the Book of Songs.

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《诗经》是我国第一部诗歌总集，诗性是其最本质的属性。然而，自汉代将其尊经之始，在经学视域下，《诗经》逐渐远离诗性特质，而被赋予厚重的经学内涵，推向经学的圣坛，承载着传播经学思想的重任。诗经学发展至明代，伴随着明中叶新思潮和诗学理论的产生，一股《诗经》文学阐释潮流兴起，使《诗经》研究实现了由“经”向诗的本质回归，确立了明代诗经学重要的学术地位。
The book of songs was the first anthology of poetry in ancient china. Poetic character is the most essential attribute. However, from Han Dynasty, we begin to regard it as the study of confucian classics. In the view of the study of confucian classics, the book of songs is gradually away from the poetic character and is endowed with profound connotation of confucian classics, to the altars of confucian classics, carries the responsibility to the spread of the thoughts of confucian classics. When the study of the book of songs develops to Ming Dynasty, with the emergence of new thoughts and poetic theory in Mid Ming Dynasty. A trend of the literary interpretation of the book of songs is on the rise. The research of the book of songs achieves the returning of poetic character and establishes the important academic position of the study of the book of songs in the Ming Dynasty. This article is based on the broad background under the history of the study of the book of songs in Ming Dynast

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《诗经》中的酒文化内容丰富、形象直观、生动可感、富有感情色彩和生活气息。酒字，在《诗经》中出现的频率很高；《诗经》的作者对于酒内在本质的认识已有较高水平。了解《诗经》中的古代酒文化，对于我们当今探讨、改革酒文化大有裨益。
The spirits culture is a splendid part in the book entitled Shi Jing with abundant contents and de -scriptive and emotional features of life and the word "spirits"has a high frequency of occurrence in this collec-tion of poetry.Because the authors of the book had a profound understanding of spirits culture , it is necessary for scholars to understand the spirits culture in the book so as to discuss and explore the current spirits culture .

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唐代《诗经》文本研究之状况颇具时代特色，大致表现为：其一、《诗经》学著作大多亡佚，存世者甚少。其二、研究内容主要集中于对《诗经》主旨、音义、典章与词汇的阐释，这与唐代科举需用《诗经》著作有密切关系。其三、《诗经》学著作中，既有对《毛诗传笺》内容的承传，又有对其解说的否定，另创新说，体现了独立思考的学术精神与时代特色。其四、《诗经》研究者中，不少人本身既是学者，又是教师，薪火相传，自然形成优良的诗学传统。其五、以孔颖达为首主撰的《毛诗正义》，具有里程碑式的《诗经》学意义。
Five distinctive features of the text research on The Book of Songs in Tang dynasty can be noted as follows:1) works on The Book of Songs are mostly non-existent, and only a few of them are available;2) the contents of research are mainly about the purport, pronunciation and meaning, decrees and regulations, and vocabulary, which is closely related to the fact that The Book of Songs is used in the imperial examination in Tang dynasty;3) there are inherences from and negations of Annotation of Mao''s Poetry, which shows an innovative and independent academic atmosphere at that time;4) many researchers of The Book of Songs are both scholars and teachers, which naturally leads to a formation of a good poetic tradition;5) Rectified Annotation of Mao''s Poetry, written by a team led by Kong Yingda, is a milestone in the re-search of The Book of Songs.

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民国时期中国文学史著述开始出现对《诗经》的关注，这些文学史著述对《诗经》的研究风格各异，呈现多样化趋势，不但在《诗经》的收集与整理问题上众说纷纭，更对风、雅、颂的相关问题新见迭出，而且还就《诗经》的解读与研究提出了新视角与新方法。这一态势不仅反映了《诗经》研究的逐渐深入与发展，更与中国现代文学观念的转变有着密切的联系。
During the period of the republic of China,many books about the history of Chinese literature begin to pay attention to The Book of Songs.And those research of The Book of Songs are diversified. It not on?ly has different opinions on the issue of The Book of Songs ’s collection and collation but also has some new ideas about Feng, Ya and Song. In addition it also proposes some new perspectives and methods on the study and interpretation about The Book of Songs.This tend not only reflect that the study about The book of songs is becoming more deeply but also tie up with the change of the literary concept of the contemporary literature of china.

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