谢赫的《古画品录》是我国第一部系统的以论、评相结合的绘画美学作品,对后世影响深远。谢赫创造性地将绘画理论同中国哲学紧密相连,为绘画美学在中国文化中地位的取得打下了坚实的基础。通过解读《古画品录》发现,魏晋南北朝时期,人们对人物品藻虽表现出由儒转道的倾向,但是从《古画品录》中可以看出谢赫对画的品评仍然保留了儒家的思想传统,体现出了儒家的审美价值观。

Recordings of Savoring Ancient Drawings by Xie He is the first aesthetic work on drawings with discussion and comment systematically integrated in our country. It has cast a longstanding influence on later generations. Xie He creatively combines drawing theories with Chinese philosophy, consolidating the status of drawing aesthetics in Chinese culture. An interpretation of this work reveals that in Wei, Jin and North-south dynasties, the trend of shifting Confucianism to Daoism is reflected in assessing important figures. But Recordings of Savoring Ancient Drawings shows that Xie He still keeps the traditional Confucianism and the Confucian aesthetics.

夜郎至今仍然是一个巨大的谜团，夜郎族属问题是其中的一个核心议题，专家们提出了夷人说，濮人说，僚人说，谢人说，苗人说等多种观点。贵州省赫章县可乐考古发掘出土的战国至西汉即夜郎时期的铜镜上，最新发现了16个古文字，这16个古文字可以用古彝文进行识读、译解，为“夜郎为彝”说提供了新的物证。

Today,Yelang is still a huge mystery, Yelang’s ethnic group is a core topic, the experts pre?sented Yi theory, Pu theory, Liao theory, Xie theory, Miao theory, and so on. The 16 ancient texts in the bronze mirrors in Yelang period were found at Kele Township in Hezhang county of Guizhou province, the newly dis?covered ancient texts can be interpreted in Yi texts, it provides new evidence to prove Yi theory, namely Yelang belongs to Yi people.

"气运"与"气韵"都以"气"为核心构成的新的复合型气范畴,南北朝时期,"气韵"作为全新的审美范畴开始运用于艺术品评。"气运"意蕴单薄,而"气韵"内蕴丰富,体现为形神的融合一体与生命的节奏韵律两者的有机统一,"气韵"的意义远大于"气运"。因此,不能以通假之名将"运"与"韵"相等同,进而将"气韵"的意蕴简单化为气之运化节奏和谐。"气运"与"气韵"有着本质差异,不能将其混为一谈,《续画品》中品评谢赫的原文应为"气运",而非张彦远转引之"气韵"。

Both “qiyun”(气运 movement of qi) and “qiyun”(气韵 lasting appeal of qi) are also new compound qi category,“qiyun”(气韵 lasting appeal of qi) is used to art review as a new aesthetic category in Northern and Southern Dynasties. The meaning of“qiyun”(气运 movement of qi) is simple, while“qiyun”(气韵lasting appeal of qi) is rich, which is an organic unity that contains the integration of physical mental and the rhythm of life, the meaning of“qiyun”(气韵 lasting appeal of qi) is far more than“qiyun”(气运 movement of qi). Therefore, it is wrong to consider the two are basically the same by interchangeability of words or characters, and then to regard it as rhythmic harmony of the qi movement by simplifying the implication of“qiyun”(气韵 lasting appeal of qi). It is fundamentally different between“qiyun”(气运,movement of the qi) and“qiyun”(气韵, lasting appeal of qi), which cannot be confused. The original word that was used to comment Xie He in the text of Xuh