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双语推荐:《哈姆雷特》

《哈姆雷特》问世以来,对于它的评论百花齐放。一千个读者就有一千个哈姆雷特,每一种评论都是对于哈姆雷特复仇的延伸与解释。走进原文,我们会看到,事实上哈姆雷特的延宕同那些思维、理智以及激情并没有太大的关系,它的延宕是对于我们人类所遇见的精神危机以及哈姆雷特在此种危机下想突出重围却又被困扰着的悲剧体现,哈姆雷特的精神突围不论是现在还是今后都有着重要的意义。
Since the "Hamlet"come out,there''re many comments blossoming.A thousand readers have a thousand Hamlets. Every comment is extension and interpretation for Hamlet''s revenge.Entering the text,in fact,we will see that Hamlet''s pro-crastination has little to do with those ideas,intellect and passion delayed with those,and not much relationship.His procrasti-nation is a tragic that reflects on the spiritual crisis human faces and Hamlet''s trying to break out but was plagued.Either now or in the future the spirit of Hamlet''s breakout is of great significance.

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人们对于哈姆雷特形象的认知素有争议。有一种观点认为从哈姆雷特对待身边人的态度,尤其是对待母亲的态度可知哈姆雷特的非正义特征。从文本语境出发,哈姆雷特对待身边人的态度并非因为其它,而是因为身边人无意中成为罪恶势力的“共谋者”,哈姆雷特无法听之任之、坐以待毙。从剧作《哈姆雷特》创作的时代背景--文艺复兴及作品所处的宗教背景出发可以看到哈姆雷特母亲再婚事件在当时基督教背景下的乱伦性质及其仓促性;这宗婚姻背后是一桩伤天悖理的杀人案,哈姆雷特对母亲的无礼事出有因,无法以此来说明其非正义性。相反,正是正义力量的激励,哈姆雷特才显得如此冲动无礼!持此观点者有着过深的英雄情节,有着将人物过于理想化的倾向。
People’s attitudes towards the image of Hamlet are quite controversial. Some person believes that Hamlet is not justified because he is so rude to his mother. However, from the perspective of religion, it is not right for his mother’s marrying the new king; besides that, the marriage is in a great hurry; and most important of all, his mother married the man who killed his father. From above, we could see that the fact that Hamlet is rude to his mother could not prove that he is not just.

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哈姆雷特的延宕是莎学界的一个老话题。这一公案中有几个历代学者都关注的焦点,如鬼魂诉说后哈姆雷特为何没立即复仇?"戏中戏"之后哈姆雷特为何没趁克劳狄斯忏悔时复仇?哈姆雷特是否性格忧郁等等。结合着戏剧创作的时代背景和剧情的内在发展逻辑对这些焦点进行分析,便会发现,哈姆雷特不仅未曾延宕,而且他在复仇过程中表现出了机智、勇敢和敢于冒险的精神。
Hamlet''s delay is an old topic among Shakespeare scholars.There are several crucial points in this issue,such as why Hamlet doesn''t revenge immediately on hearing the ghost''s story,why he doesn''t take Claudius''life when Claudius is praying after the"play in the play"performance,whether Hamlet is melancholic in character and hesitant in making decisions,etc.The present paper attempts a different anal-ysis of these significant events and offers a new understanding on the basis of attending to the social back-ground of the play,the logic of the development of the story,etc.This paper maintains that instead of procrastinating,Hamlet has been wise,courageous,and even adventitious in his attempt to avenge his fa-ther.

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莎士比亚戏剧的修辞语言历来被人们赞叹,而莎剧修辞语言魅力在其四大悲剧之一的《哈姆雷特》中体现得淋漓尽致。本文从五四运动后至改革开放前这一时间段从隐喻研究《哈姆雷特》在中国的翻译,通过对比梁实秋和卞之琳的《哈姆雷特》中译版本来研究《哈姆雷特》在中国的翻译历程与研究价值。
The rhetorical language of Shakespeare''s plays has been praised for a long time, the rhetorical language charm reflects incisively and vividly in Hamlet,one of his great tragedies. This paper studies Hamlet’s Chinese translation from metaphor rhetorics from the May Fourth Movement to the policy of reform and opening-up, researches the translation process and value of Hamlet by contrasting the translations of Tian Han, Liang Shiqiu, Zhu Shenghao and Bian Zhilin.

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通过梳理并还原哈姆雷特在复仇过程中的心路历程,试图对哈姆雷特复仇之延宕所包蕴的历史文化信息重新作出阐发。哈姆雷特复仇行动延宕的根本原因在于哈姆雷特找不到复仇的正义性和正当性。延宕本身既宣告了文艺复兴后期人文主义理想在欧洲大陆的陷落,也反映出人文主义的历史局限性和人文主义者悲剧性的生存处境。
This thesis will attempt to restudy the historical and cultural information embodied in Hamlet''s procrastination by combing and reduction Hamlet''s spirit course in the process of revenge. This thesis considers that the fundamental cause of Hamlet''s procrastination lies in him could not find the justness and legitimacy for his vengeance. Hamlet''s procrastination not only declared the fall of the humanist ide-als on the continent in the late renaissance,but also reflected the historic limitations of humanism and the tragical plight of humanist.

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整个批评界一直以来都注意到哈姆雷特的抑郁,而忽略了他的另一面——躁狂。哈姆雷特不断奔涌的思绪、无尽扩充的意识、对王后和奥菲利娅的暴力都是他躁狂的表现。哈姆雷特的躁狂与抑郁相混合,在这种状态下,他对生存与死亡进行了深刻的思考。哈姆雷特的躁郁症作为一种疯癫状态,在莎士比亚的戏剧中享有终极的地位,具有审美和哲学的意义。
Hamlet’s depression has always been noticed , while his mania has been ignored.Hamlet’s surging thoughts , enlarging consciousness and his violence towards the queen and Ophelia are all the symptoms of mania .Hamlet ’ s mania is mixed with depression .Under this mixed mood , he reflected deeply on life and death .As a form of madness , Hamlet ’ s depressive mania has an ultimate status in Shakespeare ’ s plays both aesthetically and philosophically .

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《哈姆雷特》是莎士比亚创作的四大悲剧之一,也是世界经典的不朽之作。哈姆雷特是莎士比亚精心塑造的人文主义者形象。莎翁悲剧的主人公都是出类拔萃的非凡人物,但他们与常人一样,具有性格上的弱点和行为上的过失,他们的性格就是命运。文章从哈姆雷特对母亲、对恋人、对朋友的态度作为切入点,分析了他善良与邪恶共存的双重性格。
HAMLET is not only one of the four famous tragedies of Shakespeare, but also the classical works of the world. Shake?speare''s Hamlet is the best image of humanism. Although the heroes in Shakespeare''s tragedies are unsurpassed men, they have their own shortcomings both in characters and behaviors. Their characters are their destiny. This essay analyzes Hamlet’s dual characters—kindness and evil from his attitudes toward his mother, friends, and lover.

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堂吉诃德与哈姆雷特是塞万提斯与莎士比亚笔下创造出的两个生动形象,他们一个是毫不利己的南国游侠,一个是处处思索的北方王子。堂吉诃德处处勇往直前,遇事知难而上,是一个不折不扣的实干家;哈姆雷特处处小心谨慎,遇事思前想后,是一个彻头彻尾的思考者。从他们的身上,人们似乎可以看到人类自己的影子,认识他们有助于人类了解自己,而了解自己又无疑有助于通过促进个人的发展,推动社会的进步,这就是我们讨论堂吉诃德与哈姆雷特的人类学意义所在。
Don Quixote and Hamlet are the vivid images created by Cervantes and Shakespeare respectively.One is a selfless ranger in the south;the other is a thoughtful prince in the north.Don Quixote always has confidence and works through problems rather than avoid them while Hamlet is always careful about everything.These are the two ends of human nature-selfish and selfless.So it is beneficial to human self-awareness and the promotion of so-cial progress if the two images are studied from the view of anthropology.That is where the significance of the study exists.

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英国著名的剧作家莎士比亚曾说,有一千个读者,就有一千个哈姆雷特。要给读者好的感受或好的启示,就必须通俗易懂,独具特色。
There are one thousand readers, there are one thousand Hamlett. To give the reader feel good or good inspiration, it must be easy to understand and unique.

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本文对斯蒂芬·格林布拉特的文章“哈姆奈特之死和哈姆雷特之生”进行了深刻研读,旨在探究新历史主义研究方法为何能在文学教育及研究领域一直立于不败之地。
This paper examines Stephen Greenblatt''s essay ''The Death of Hamnet and the Making of Hamlet'' and explores the ways in which new historicist approaches remain vital when teaching and conducting research in the field of literary studies.

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