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双语推荐：装饰纹样

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采用分形维数对木纹、石纹、抽象纹和金属纹4种常用装饰纸图案纹样进行表征。结果表明,4种装饰纸图案纹样均具有分形特征,其分形维数比较结果为:木纹抽象纹金属纹石纹。分形维数可以作为表征装饰纸纹样的立体感和秩序度的量化评价指标之一。
Four kinds of commonly used decorative paper patterns were characterized by fractal method. The results indicated that the fractal dimension average of various types of decorative paper patterns were as follow:wood>abstract>metal>stone. Fractal dimension can be used as one of the quantitative evaluation index to characterize the decorative paper pattern stereo impression and the degree of order.

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"草龙"与"草凤"是大理白族地区传统建筑与家具木雕装饰图案中的一对特殊纹样,是装饰艺术中典型的中华纹样,具有较高的研究价值。它们源自于大理剑川木匠的审美创造,也是中原地区"龙凤"文化信仰在大理白族地区"龙变"与"凤变"的结果。"草龙"与"草凤"纹样不仅丰富了中华龙凤图案的造型样式,亦是一份不可多得的非物质文化遗产。
"Grass Dragon" and "Grass Phoenix" are a pair of special pattern in the woodcarving decorative patterns on Dali Bai minority''s traditional buildings and furniture. They are typical Chinese patterns with high research value in decorative arts. They originated from Dali Jianchuan carpenters'' aesthetic creation,and they are also results of"Dragon variable"and"Phoenix variable"in Dali Bai minority,which derived from the Central Plain areas "Dragon and Phoenix" cultural belief. "Grass Dragon" and "Grass Phoenix" not only enrich the Chinese "Dragon and Phoenix" patterns modeling style,but also they are a rare and precious non-material cultural heritage.

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中国传统建筑装饰艺术有着深厚的本土文化底蕴，作为宝贵的民族文化遗产，其历史文化价值与在现代设计中的文化价值都不容忽视。本文从建筑装饰色彩艺术，建筑装饰纹样艺术，建筑雕刻装饰艺术三个方面阐述我国传统建筑装饰艺术的文化传承，选取现代设计中的经典案例，进一步探寻传统建筑装饰艺术文化与现代设计的融合与共生。
The Chinese Architectural Ornament Art is of deeply native culture. As the heritage of precious national culture, the value of both its historical culture and modern design should not be ignored. This article wil focus on color art of architectural decoration, pattern design art of architectural decoration, and carving art of architectural decoration to describe heritage the Culture of Chinese Architectural Ornament Art. By selecting the classic cases of modern design, for further explore the relationship between the art of traditional architectural decoration culture and modern design and their development.

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莲花纹样以其丰富多样的造型与独具的美学内涵,在中国悠久的设计历史长河中一直占有极重要的地位,也是中华民族传统装饰纹样宝库中经久不衰的题材之一。在全球化趋势盛行的今天,我们应从古典艺术中寻求借鉴,走出属于自身的文化特色,类似莲花纹样这样绝佳的创作题材,完全可以崭新的面貌展现于现代装饰艺术中。
The lotus pattern ,along with its abundant shapes and unique aesthetic connotation ,has played an important role in Chinese design history .It is one of the enduring themes of the Chinese tra-ditional decorative patterns .In the circumstance of globalization ,the localized cultural characteristics should be strengthened by learning from the classical arts .Consequently ,the lotus pattern can be an excellent creation theme for the modern decorative art with different artistic performance .

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平遥推光漆器是中国四大名器之一。平遥推光漆器源远流长,工艺流程复杂,特点鲜明,装饰纹样绚丽多姿,整个漆器古朴典雅,具有很高的实用价值和欣赏价值。
Pingyao push light lacquer is one of the four famous lacquers for China. Pingyao push light lacquer has a long history, the process is complex, characteristic is bright, decorative patterns are colorful, the lacquer ware is simple and elegant, has very high practical value and appreciation value.

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狮子这一艺术形象是中国传统的吉祥装饰纹样,其特有的艺术语言和装饰风格深受民众喜爱。中国民间狮子装饰艺术有雕刻、陶瓷、绘画、织绣、印染等多种艺术表现形式。如果说龙是中华民族的象征,狮子就是中国民众心理的物化,具有强烈的民间性与普及性,蕴含着丰富的文化内涵。中国的民间狮子装饰艺术是民族审美心态的产物,反映了中华民族的精神气质。
Lion’ s artistic image is traditional Chinese auspicious decorative patterns , its unique artistic lan-guage and style of decoration is very popular among people .Sculpture, ceramics, painting, embroidery, printing and dyeing are the forms of the Decorative art of the Chinese Lion .Say , if dragon is the symbol of the Chinese na-tion , the lion must be the materialized psychology of the Chinese people .The Chinese Lion is the product of nation-al aesthetic psychology , reflects the spirit of Chinese people .

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各种装饰设计手法在针织毛衫中的广泛应用赋予毛衫不同的风格特征。利用变化多样的毛衫组织结构进行装饰设计,不仅能够产生不同肌理纹样的装饰效果,而且可以营造出多种服装风格,在流行的毛衫设计中逐步成为突出设计理念和个性的重要途径。本文主要探讨利用组织变化进行装饰设计对毛衫风格的影响,为进一步提升毛衫整体设计效果的完美性提供依据。
The application of various decorative design methods endows woolen sweater with different style and look. By using diversified stitch and structure, we can create not only different decorative effects, but also different looks for woolen sweater and this has been popularly used in woolen sweater design for underlining design concept and express individuality. This paper mainly discusses the effect of decorative stitch design on the style and look of woolen sweater, offering foundation for further improving the aesthetic of integral design effect of woolen sweater.

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服装图案设计是一种古老且现代的装饰艺术，其主要是通过对物象形态做出概括提取，让物象以艺术性与装饰性组织形式展现出来的艺术。图案设计以更加适合服装的图案形式对服装进行装饰设计和美化设计，用面料和纹样等共同构成装饰图案，而服饰图案是服装设计中极为重要的内容。本文浅析图案在童装设计中的教育意义，为相关的工作人员和研究人员提供有用的参考。
The design is kind of both ancient and modern decorative arts, a generalization of some object form after the extraction, and it make the organization form of art and decoration. Design through some suitable clothing in the form of use becomes a clothing design on clothing, in the clothing, from the pattern of the fabric to clothing, decorative pattern of tissue in clothing design are important content in the clothing design can not be neglected. This article mainly discusses the design in the children''s clothing design education significance.

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作为中国文化的代表,青白瓷与服装的结合成为设计师们的聚焦点。青白瓷的装饰纹样、工艺技法、色彩运用、轮廓结构等元素借鉴到纺织服饰中,为增加经典中国主题纺织服装文化内涵体现提供方法和价值延伸。
Greenish White Porcelain is a kind of classic porcelain artifact in China, which became popular in the Song Dynasty. Now it is regarded as the presentation of the Chinese culture and becomes the inspiration for modern designers. With the globalization of culture, the decorative pattern, craftsmanship, application of colors and outline of this artifact are applied into textile and fashion design, which enrich the presentation methods and extend values of Chinese elements on textile and fashion culture.

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明代，运用天然漆进行纹样描绘的漆画大量出现在宫廷建筑装饰、室内陈设、日用器具等方面，具有极强的观赏性与实用性。漆画的运用能够与所处空间的摆设、装饰风格形成一个有机整体，相互呼应，更为宫廷再添奢华，满足帝王的审美需求。本文试图通过分析明代各阶段帝王审美及变化，从而探讨出明代宫廷漆画的不同艺术特征。
In the Ming Dynasty , a large number of paintings that used lacquer to depict patterns ap-peared in the court building decoration , furnishings and household appliances , with strong aesthetics and practicality .Paintings formed an organic whole with furnishings and decorative style in their space , which echoed each and added more luxury to the palace to meet the aesthetic needs of the emperor .This paper at-tempts to analyze the aesthetic changes of various stages of the Ming Dynasty emperors , so as to explore dif-ferent artistic features of the Ming court Lacquer .

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