诗歌长时间被看做时间的艺术，近年来叙事理论研究开始转向于空间研究，对时空体的研究随之不断深入。本文简要回顾了诗歌时空研究发展的历程，探讨了以意象为核心的诗歌时空体研究的可能性，并提出该角度研究可以从以下三方面进行：诗歌时空体建构中的时空蒙太奇、诗歌时空体建构中意象的时间形态与空间分布、诗歌时空体建构的作用与意义。

The poetry had been seen as the art of time for a long time.In recent years the theoretical study of narrative began to turn to the research of the space,with the chronotope study of the poetry Continue deepening.This article briefly reviews the history of the space-time research and development of poetry ,exploring the possibility of the space-time study of the poetry by imagery as the core,and raise that the research of this perspective can be conducted from following three aspects:the space-time montage in the chronotope construction of the poetry,the time pattern and spatial distribution of imagery in the chrono-tope construction of the poetry,effect and significance of the chronotope construction of the poetry.

以西方劳伦斯诗歌研究的具体文献为依据,划分出国外劳伦斯诗歌研究的四个阶段,即二十世纪前二十年,三十年代到六十年代,七十年代到九十年代以及新世纪至今,分别探讨了各个阶段的特点,并在最后结合中国劳伦斯研究的总体特点指出,劳伦斯诗歌研究急需中国批评话语的参与和贡献。

The achievement of Lawrence as a poet is often undermined by his literary status as a novelist. However, Lawrence starts his literary career with wiring the poem. As for Lawrence, the poetry is not only an excellent com. to his prose works but also the carrier of his psychological transformation. The review and criticism on his poetry company his publication of the first poetry collection. In general, in the domain of western critical discourse, although the output about his poetry legs behind that on his prose works, the developing routine of the achievement can also be discernible.

据统计,以"人文圣山"庐山为背景进行创作的历代诗人多达3 500人,诗歌总数有16 000余首。进入20世纪80年代,随着庐山文化研究的兴起,庐山诗歌研究也取得了一定成绩。根据已取得的研究成果,解读庐山的文化底蕴和山水审美价值,有助于庐山诗歌研究的进一步深入。

According to current statistics,more than 3 500 poets created as many as 16 000 poems on Lushan known as“Holy Mountain of Humanity”.With the rise of Lushan cultural studies,Lushan poetry has achieved some achievements since 1980s. This paper summarizes the current research achievements focusing on interpreting the cultural heritage and aesthetic value from studies on Lushan poetry,which will help to study Lushan poetry.

诗歌的语言精要从某种意义上而言是一种模糊语言的艺术。本文旨在通过对诗歌中模糊语言的表达方式的研究，探讨汉英诗歌翻译的翻译策略，进而达到跨文化交流的目的。

In a sense, the poetry language essentials is a kind of art in fuzzy language. This paper aims to research the expression of fuzzy language, to explore Chinese-English translation strategies of poetry, and then to achieve the goal of intercultural communication.

含蓄美是中国古代诗歌所追求的美学境界，历代诗歌在创作中含蓄艺术都是所追捧的热点。在追求含蓄美的过程中有着不同的层次，由浅入深一般可以分为语法层次、修辞层次与宗教觉悟层次这几个不同的层次，层次的差异导致了诗歌写作手法的不同，从而就造成了中国古代诗歌含蓄艺术的不同境界。本文主要结合对中国古代诗歌的理解，从作者诗歌写作的手法出发，分析研究了古代诗歌含蓄艺术的不同境界的审美追求。

Implicit beauty is a aesthetics realm pursued by Chinese ancient poetry. In the poetry creation in all ages,the implicit artistry has been greatly chased after.There are diverse gradations in the course of pursuing the implicit beauty.From the shallower to the deeper, diverse gradations are general y divided into the following three gradations: grammar, rhetoric, and religion consciousness. Dif erences existing in diverse gradations result in different poetry writing techniques, which produces diverse realms of implicit artistry of Chinese ancient poetry. Starting from the author’s poetry writing technique and combining the understanding of Chinese ancient poetry, this paper analyses and researches the aesthetic pursuit of diverse realms of implicit artistry of Chinese ancient poetry.