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双语推荐:审美重建

本文立足于后现代主义,对建筑设计中的乡土性、反审美等内容进行了介绍个分析。在此基础上,根据时代发展的需要,对建筑设计知识的重建进行了分析。
This article bases on post-modernism, and carries out the introduction and analysis of the content of the local re-sistance and anti-aesthetic, etc in the architectural design. Ba-sis on this, the author according to the needs of era developm-ent, analyzes the reconstruction of architectural design know-ledge.

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由卡尔松主导的环境美学二元论与伯林特代表的环境美学一元论是解读城市环境视觉审美的二大主流思想,无论是二元论还是一元论,对视觉环境界定及体系构建均不能满足现今社会对城市环境视觉的审美需求及基本维度辨识。环境审美必须做到在科技高速发展和人们心智急剧变化的今天,建立起适应新的社会审美价值需求,完善和健全科学的环境视觉维度,在二元论与一元论思想体系之上,重建城市环境视觉审美理论及基本维度。
The environmental aesthetics dualism dominated by Carlson and the environmental aesthetics monism represented by Berleant are the two mainstreams which interpret the urban environmental visual aes -thetic.However, neither the definition of visual environment nor the system construction of either Dualism or Monism can meet the aesthetic needs of modern society vision and the identification of basic dimensions of the urban environment .With the rapid development of science and technology as well as the dramatic change of people’s mind nowadays, environment aesthetics must set up and improve the scientific environmental visual dimension so as to meet the needs of new social aesthetic value , and it also has to reconstruct visual aesthetic theory of the urban environment and basic dimensions based on the ideological system of both Dualism and Monism.

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沈从文的审美现代性反思主要体现在他对湘西世界的审美反映与对中国现代乡村与都市的双重批判上。其双重批判聚焦于对国民性的反思与重建,其中探讨了国民性劣根性的表现、思想根源等,提出了国民性问题解决的具体审美拯救实施方案。其审美拯救方略蕴含着沈从文对中华民族复兴问题的思考,具有鲜明的现实针对性。沈从文对国民性的反思与建构反映了其文化视域的融合性以及历史理性的建立,是沈从文现实主义创作的体现,也是沈从文文化思想与艺术思想走向深刻的标志。
Shen Congwen''s aesthetic reflection on modernism was mainly reflected in his aesthetic responses to Xiangxi and his dual criticism on modern Chinese rural and urban culture. He focused his dual criticism on the reflection on and the reconstruction of Chinese national characteristics. He analyzed the manifestation and ideological roots of Chinese national characteristics. Based on the analysis,he proposed specific aesthetic redeeming solutions to the problems of national characteristics. The aesthetic redeeming solutions implied his pondering over the issues related with the revival of Chinese nation and had their own distinct realistic pertinence. His reflection on and his construction of national characteristics reflected the fusion of his cultural horizon and the establishment of his historical rationality,manifested his realistic creation ideal,and marked the maturity of his cultural and artistic ideas.

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随着消费时代的来临,新的历史文化语境使得艺术正经历着前所未有的变化,呈现出商品化、符号化和娱乐化的新特征。这种趋向使得艺术不断走向功利性、拟像性与浅表性,艺术迷失了价值。面对这种状况,我们可从善的向度重建艺术的人文关怀,从美的本性重构艺术的审美意味,从真的特质重塑艺术的批判精神,最终通过重建艺术价值使其走出困境。
In the new historical and cultural context of consumerism age, arts are undergoing unprecedented changes and present new characters of commercialization, symbolization, and entertainment-orientation. In this tendency of utility, simulacrum and superficiality arts lose its true value. Confronted with this situation, we should rebuild humanistic concern of art from dimensions of kindness, reconstruct aesthetic notions from the true nature of beauty and reshape artistic critical spirits from the traits of reality, and thus get out of the trouble by reestablishing artistic value.

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生态美学将重建人类的存在、发展与自然生态的和谐共生、平衡互动的审美关系作为美学思考的核心。文章以当前江苏高校大学生生态美学教育为研究对象,在对大学生对高校开展生态美学教育的意愿度及心理预期的基础上,探讨了高校生态美学教育的理论与实践路径。
Ecological aesthetics is an emerging branch of science, which takes the rebuilding of human''s existence and development, a harmonious ecological coexistence of nature, and the balance of interaction of aesthetic relationship as the core of the aesthetic thinking. Based on the current ecological aesthetic education at universities in Jiangsu Province, the paper collects college students'' wills and psychological expectation of the ecological aesthetic education widely, and explores the theory and practical path of ecological aesthetic education.

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《烹北苑茶有怀》是宋代著名诗人林逋的茶诗。诗歌不仅表露了诗人闲适、雅淡的人生情怀,又向读者点露了流行于宋代的点茶法。通过以许渊冲先生的“三美”理论为标准讨论此茶诗中以意义系统、听觉系统和视觉系统为形式的意美、音美以及形美的审美系统在译诗中的重建。原诗意美、音美和形美在译诗中的重建也使诗人林逋的雅淡情怀和当时的茶文化在不同的语言中得以传承和延续。
As a famous tea poem,reflection on Brewing Beiyuan Tea by Lin Bu in Song Dynasty reveals not only the leisurely life of the poet but also the well-known contemporary method of making tea.Based on the “Three Beauties”as translation criteria,the aesthetic reconstruction about the sense of beauty, the sound of beauty and the form of beauty in the English translation poem are analyzed and the interlin-gual aesthetic reconstruction transfers and extends the feelings of the poet and the contemporary culture a-bout tea as well.

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宋代士人面临严重的信仰危机,迫切要求重建价值体系,重构理想人格。在这一重构进程中,宋初隐逸诗人群体率先进行了排除功利、融通仕隐的隐逸尝试,在追求闲雅怡然、任情淡泊的审美化人生中,塑建了兼容道义又保持个体独立的理想人格,使山林隐逸精神较之唐末五代发生明显的转向,并对仕宦群体吏隐的人格取向也产生了重要影响。
Facing serious belief crisis ,intellectuals of the Song Dynasty were forced to rebuild their value system and reconstruct their ideal personalities .In this process ,reclusive intellectuals first tried non-utilitarian life and bleared lines between official career and seclusion .In their elegant ,tranquil life ,they created individual independent and ideal personalities that conformed to moral principles ,w hich had an im-portant effect on their orientation of personalities .

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红柯小说弥漫着丰沛的生命气息,众多引人瞩目的审美意象的诗性展示使之更加充实和浓烈。其中,河流意象出现频密,且意蕴丰富。这既来自红柯十年北疆生活的经验积存,也源于作家文化寻根的自觉诉求,并试图用河流这一古老意象冲刷现代文明的孱弱,重建原始而野性的西部文化世界。由此,既体现了红柯小说风格独特的生命意识,也形成了对西部文学雄健浪漫精神的积极建构。
The sense of life was abundant in Hong Ke’s novel, which became more fulfilling and strong by many compelling aesthetic images poetically displayed. The image of river frequently appeared in various texts, which had many implications and rich connotations. It was not only produced from 10 years’ accumulated life experience in north Xinjiang, also effected by author’s desire of the cultural roots. He wanted to use the ancient image to scour the weak temperament of modern civilization and reconstruct the original wild western culture. Consequently, it reflects the unique life consciousness of Hong ke’s novel and actively constructs the magnificent romantic spirit of western literature .

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《世界上所有的夜晚》以城市荒诞空间、乌塘死亡空间、三山湖超越空间和哲学超验空间的四度空间构建彰显了主体的空间体验和生命美学.迟子建在对空间的体验中,完成了对生死的描述和生命力量的抒写.空间的生命体验生发了崭新的美学特质,也给黯淡的现代性理性社会抹上了一道文学亮色.对于重建人类精神力量的文学和美学而言,空间美学、生命体验和审美体验都是现代性语境中极为关键的路径.《世界上所有的夜晚》是可贵的尝试,也成为当代文学的奇葩.
The novel All of the Night in the World reveals the main space experience and life aesthetics through the city absurd space, black pond death space, three mountain lake beyond space and transcendental philosophy four dimensional space building. Chi Zijian completed the description of life and death and vital force through the space experience. Space life experience hair a new aesthetic characteristics, also give dim modernity rational society with a light literature. For the reconstruction of the human spirit of literary and aesthetic character, space aesthetics, life experience and aesthetic experience is crucial path in modernity context. All of the Night in the World is a valuable attempt, and also become the contemporary literature wonder.

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审丑是对审美的解构,是后现代主义的一个重要概念。作为首位荣获诺贝尔文学奖的美国非裔女作家,托妮·莫瑞森可以称得上是后现代主义时期的"丑"艺术家。她最早发表的两部作品——《最蓝的眼睛》(1969)和《秀拉》(1973),深刻地反映了美国黑人处在当时时代夹缝中的"丑态"。莫瑞森在这两部作品中通过对外表之丑、语言之丑、意象之丑和自然之丑的描写揭示人物的人性之丑和人生之丑,并最终把矛头指向历史之丑。审丑是一种艺术手段,其目的是在认识丑的基础上,呼吁人们去颠覆和解构"丑"的社会秩序和伦理价值,重建新的社会秩序和伦理价值。
As a significant concept in postmodernism, the appreciation of ugliness is a kind of deconstruction of aesthetics. As the Nobel Prize Winner, Afro-American female writer Toni Morrison deserves to be called an artist of “ugliness” in postmodernism. Her earliest works The Bluest Eye and Sula vividly disclose all kinds of “ugliness” of the people at that time. In these two works, Morrison exposes the ugliness of people''s character and life through a depiction of the ugliness of appearance, the ugliness of words, the ugliness of images and the ugliness of nature, revealing the ugliness of history. As a kind of artistic means, the appreciation of ugliness aims to call on people to deconstruct the ugly social systems and ethic values on the basis of understanding “ugliness”, as well as to reconstruct new social systems and ethic values.

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