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双语推荐:独学庐诗文集

张溥的诗文集现存主要有四种,即《张太史七录斋初集》7卷、《七录斋诗文合集》16卷、《七录斋文集·论略》2卷《续刻》6卷《别集》2卷、《七录斋近集》16卷。前二种近年已影印出版,后二种则分别藏于天一阁博物馆和复旦大图书馆,颇为稀见。四种诗文集体现了张溥的总体文风貌,具有重要的文和文献价值。首次对四种诗文集的版本、内容详加考述,指出其在张溥研究、复社研究、晚明文史及思想史研究方面的重要术价值。
Zhang Pu was the leader of Fu She(复社)in late Ming Dynasty.There are four main kinds of Zhang Pu’s Qi Lu Zhai Collections now.The first two that have been published in recent years are common,the other two are quite rare. The four kinds of Zhang Pu’s Qi Lu Zhai Collections are on behalf of Zhang Pu overall creation style.The author firstly researches in detail the editions,and points out the value on Zhang Pu,Fu She ,the literature history and the thought history of late Ming Dynasty in this paper.

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元灭南宋前,南、北方的术与诗文各自立发展,无甚交流。“南士北游”率先打通了这种隔断,南、北方的术与诗文在大都产生了交流融合。在交流过程中,南方的诗理念与诗文传统逐渐占据主导地位。延间,袁桷、虞集等南方文士倡导雅正的诗文风格,并通过雅集唱和、奖掖后进等方式影响着诗坛的诗文创作倾向。在他们的影响下,元中期雅正诗风形成。
Before the dying of Yuan Dynasty and Southern Song Dynasty,academy and poetry developed independently in both north and south of China,and they had no communication.The southern scholars who traveled to the north China first broke the ice.Southern and northern academy and poetry combined deeply.In the exchange process,the Southern poetics and poetry tra-dition gradually occupied the dominant position.During Yanyou period,Yuan Jue,Yu Ji and other southern scholars advocated elegant poetry style.And they affected the poetry creation tendency through the way of Aristo singing and rewarding the back-wards.Under their influence,elegant style formed in the middle of Yuan dynasty.

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元代中后期,皖地宁国(宣城)、徽州二路诗文家辈出,群星灿烂。在宁国诗人群体中,特别引人注目的是一个显郝的诗文世家,即宣城贡氏。贡奎有《云林集》六卷附录一卷、贡师泰有《玩斋集》十卷拾遗一卷、贡性之有《南湖集》二卷存世。祖孙三代著名诗坛,其各自生平及家族传承,诗文集之板本源流、散佚辑佚、题材内容、艺术价值亟待综理考辨,论证判定。
In the middle and late Yuan Dynasty, there were generations of great poets and writers who gained great achievements in Ningguo (Xuancheng) and Huizhou, Anhui. Among them is a family noble and renowned for their poems, namely the Gongs in Xuancheng. Gong Kui composed Yunlin Collection with six volumes and one appendix, Gong Shi-tai composed Wanzhai Collection with ten volumes and one supplement, and Gong Xing-zhi composed Nanhu Collection with two volumes. These three poets were prestigious in then poetry circle, and this paper endeavors to probe into the these poems in terms of origins, the gathering of writings, topics, contents and values.

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明末清初著名文人戴廷栻的《枫林一枝》现存两个版本,一种附于戴廷栻文集《半可集》之后,该诗文集被收入《清代诗文集汇编》;另一种为康熙刻本《枫林一枝》,现藏祁县图书馆,收诗129首,该本并未收入《清代诗文集汇编》。《枫林一枝》题材广泛,举凡抒怀、写景、咏物、咏史、酬唱、闺怨、题画、悼亡、祭祀、拟古等内容皆有所表现;艺术风格疏朗清新,韵味悠然,颇有唐人气韵,体现了清初三晋诗歌多样化的风格特征。对其予以整理研究,具有重要的术文化意义。
The One in Maple Forest written by Dai Tingshi now exists two versions:the one is attached to the Dai Tingshi’ s anthology of Things only could do Half that is collected in the Compilation of Poems in Qing Dynasty;the other one is named The One in Maple Forest with the form of Kangxi block-printed edition that is now collected in Qi County Library and it col-lects 129 poems but does not been collected in the Compilation of Poems in Qing Dynasty.The One in Maple Forest has a wide range of themes and shows the Tangs’artistic.After the collection and study,it is found that it has the important academic and cultural significance.

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唐及唐前诗文别集集名多取自作家姓名,盖多由后人裒辑、编次,仅标明“著作权”而已。宋代诗文别集多由作家本人及亲友编次,在制名上颇为讲究。集名取径多端,成为有意义的“标识”。考察宋人别集制名方法及涵义,从中可直观地窥出作家的人生态度、审美情趣、作品的艺术取向乃至自觉的传播意识。
The anthologies of literary works in Tang Dynasty and even before Tang period were almost named after the authors''names,mainly because those books were mostly selected and edited by later scholars who just marked their copyright .But the anthologies in Song dynasty were compiled by the authors themselves or their relatives who paid more attention to the naming methods.There were various methods of naming which turned the names of these books into a meaningful identification ,reflecting the authors '' outlook of life,aesthetic tastes,and artistic pursuits as well as their conscious efforts to spread their works.

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全文首先参考陈振孙《直斋书录解题》、马端临《文献通考·经籍考》和晁公武《郡斋读书志》并对宋代可见的唐人诗文别集进行初步梳理。唐人诗文别集的流传不仅仅赖于宋人搜求汇集与整理,还依赖于宋人的出版传播。这种传播与宋代的社会经济,政治,文化是紧密相连。从刻书的主体来看,宋代官刻、坊刻和私刻都刊行过唐人别集。从对唐人别集刊行的力度来看坊刻和私刻刊行力度是最大的,并对唐集传播影响最深。通过对有宋一朝官刻、坊刻和私刻刊行唐人别集的考察,从其版刻地我们不难看出唐集出版的地域特点,其刊行地谝布宋境,集中于当时浙江、福建、四川、江西等地。其流布之广,愈发展现唐人诗文别集对宋代文化发展的影响之深。
Chen Zhen-sun"ZhiZhaiShuLuJieTi",Ma DuanLin"WenXianTongKao"and ChaoGongWu"JunZhaiDuShuZhi"was investigated by this article for collected works of Tang Dynasty which is widespread In the Song Dynasty. Song people had sorted out many of collected works of Tang Dynasty and pay lots of efforts for it. Especially Official、bookshop and individual engraved books had published many of the collected works of Tang. Among of it, To engraved books of bookshop and individual had published the most of the collected works of Tang .The number is more than the official engraved book.The area of published the collected works of Tang is extended of the most area of Song. The main area are Shichuan, JiangXi and FuJian.

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《相士如相马》等《杂诗四首》早在宋、金、蒙古对立时期已收入元好问的诗集,清代乾隆年间,四库馆臣从《永乐大典》里辑出了宋人汪藻的《浮溪集》,四首诗又出现在《浮溪集》中。对此四诗的二属情况,术界尚乏深入的考辨。从汪、元二人各自诗文集的版本情况以及诗文内证两方面来看,四首诗应为元好问的作品。
Xiang Shi Ru Xiang Ma, as Four Miscellaneous Poems and so on, have been incorporated in the Yuan Haowen’s poetry during the confrontation of Song Dynasty, Jin Dynasty and Yuan Dynasty. However, the compilers of the Si Ku Quan Shu compiled out Wang Zao’s Fu Xi Ji from Yongle Encyclopedia, and Four Miscellaneous Poems appeared in Fu Xi Ji again. According to editiones and poems themselves, the paper finds out that the auther of the Four Miscellaneous Poems is Yuan Haowen.

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张明华《集句诗嬗变研究》一书对历代集句诗特点进行了归纳和概括,较系统、全面地勾画出集句诗发生、发展、演变的过程和规律,同时探讨了集句诗嬗变趋势与"创作诗"之关系、集句诗创作与理论发展间的互动关系等。全书既有对集句诗发展的宏观把握,又有详细的个案研究,点面结合,颇多胜义。此书与其另一著作《集句诗文献研究》一同形成对集句诗的系列研究,从根本上改变了集句诗研究的薄弱局面。
The monograph of Professor Zhang Ming-hua,Research on Evolution of Jiju Poems,ex-pounds the process of occurrence,development and change of Jiju poems in the past dynasties.At the same time,he discusses the relationship between original poems and evolutionary tendency of Jiju poems,and the interaction between Jiju poems’writing and its theory.The book combines the macro research with the microscopic study on Jiju poems and forms a serial research in this field with another book Literature Researchof Jiju Poems,which change the weak predicament in the research on Jiju poems.

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《全清词·雍乾卷》共收词人近1000家,词作35000多首。然由于清代词籍的复杂性,遗漏在所难免。今翻检清人诗文集及地方志等,为之补录词作50首,以备续编采择之需。
There were about 1 000 poets''35 000 pieces in the Complete Ci-poetry of the Qing Dynasty from Yongzheng to Qianlong. Because of the quantity of the works written in the Qing Dynasty was great, pretermission was unavoidable. In this article,50 pieces written by 12 authors were offered to meet the needs of continuation and pick in the future.

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《青阳集》是元代第一忠臣余阙的诗文集,记载了六百年多前元代合肥守军、民俗民风、士民生活态度、城墙修建、衣冠之家、西夏遗民、农民起义、重要官员、元末城陷、农业发展等情况,是了解合肥宋元时期实情最具价值的史料,是合肥弥足珍贵的地方历史文献,是余阙留给故里合肥的无价之宝。
Qingyang Collected Works was written by the loyal officer ,Yu Que ,in the Yuan Dynasty ,w hich recorded army stationing in Hefei ,the local customs ,the local social lives ,the Hefei city wall building ,the wealthy and educated families ,the Western Xia race migrating in Hefei , peasant rebellions , the important officials , the trapping of the Hefei city and agricultural development in Hefei six hundred years ago .It helps to reveal the social and local real life in Song and Yuan Dynasties ,w hich is a significant historical document and valuable treasure contributed by Yu Que to Hefei .

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